Tag Archives: Monsterama

Consume spirits from Horror In Clay’s monster mugs

 

 

 

As a horror movie fiend and tiki mug collector, Jonathan “Atari” Chaffin, married his two passions with his first Horror In Clay creation, the Cthulhu Tiki Mug, the centerpiece of the Pickman’s Cove Collection, in 2012. Cthulhu’s tentacles weren’t just wrapped around its namesake mug but also ensnared the accompanying swizzle sticks, bar spoon, jigger and everything else you might find in a tiki bar from your worst Lovecraftian nightmares.

Cthulhu Tiki Mug“I collect tiki mugs and horror autographs and thought, ‘If I had a tiki bar, what would the coasters look like? What would the tiki mugs look like? What would the swizzle sticks look like?’,” says Chaffin. “I’m a graphic designer, so I designed all these things. Then I thought, ‘I wonder what it would cost to get one of these made.’ It turns out, it would cost a lot to have one made. But once you have the mold made, you can make more. So I decided to do a Kickstarter and that’s where the Cthulhu Tiki Mug came from. It’s for a fictitious tiki horror bar I design stuff for. When I designed the first mug, Cthulhu is holding a fog cutter mug, which is an homage to Trader Vic’s. Then I designed the Innsmouth Fogcutter mug, which became the second mug in 2014.”

The backstory of each collection is fleshed out not only within the intricacies of each mug’s design, but with the accompanying hardware and other collectibles Chaffin designs. So, while it might just be a unique way for some horror fans to consume their libations, for others it’s an immersive experience that adds to the mythos of the stories and creatures being portrayed.

“All of our mugs are designed as collections with backstories,” says Chaffin. “There are actually cryptographic clues that are hidden in the T-shirts, the recipe cards and the mugs that tell an additional narrative. I like the idea of hiding clues throughout the collections and throughout the different product lines that call back to each other. For example, The Cthulhu is holding the Innsmouth Fogcutter, and if you look at the Innsmouth Fogcutter you can see Cthulhu’s eyes looking out on the lower part of the mug.”

All of Horror In Clay’s mugs are fired at very high temperatures, making them very durable restaurant-quality containers. Unfortunately the Pickman’s Cove watering hole referenced in the Cthulhu collection and the Gilman House mythologized in the Innsmouth Fogcutter assortment aren’t real places that serve drinks in Chaffin’s mugs. You can, however, drink from Horror in Clay creations at Tacoma Cabana in Tacoma, Wash. and Cane and Table in New Orleans. They’ll even let you take home the mug for a premium price.

Cask of Amontillado Barrel MugChaffin’s most recent release is the Amontillado Barrel Mug Collection based on Edgar Allan Poe’s The Cask of Amontillado. After meeting sculptor and mask maker Andrew Bones at Monsterama last year (they’ll both be vendors there again this year), Chaffin and Bones came up with a unique pairing to help break open this cask-themed collection.

“Part of what we do is explore the Zeitgeist of whenever something is set,” says Chaffin. “The Cask of Amontillado is set in the 1780s or 1790s and the story references that Montresor is wearing a mask. What did that mask look like? There’s a style of Italian mask that most people recognize from the movie Amadeus called a bauta. What’s interesting is everyone could wear them, so you always had to assume whoever you were speaking to was noble. Commoners could sneak into ritzy parties and be treated like lords and ladies.

“Another interesting thing about the bauta is it doesn’t actually cover the mouth,” he continues. “So you can speak, eat and drink. One of the things you have to design your Halloween costume around is, ‘Can I party in this costume?’ I knew I wanted to offer a wearable mask as part of The Cask of Amontillado collection. None of the commercially-available ones were sturdy enough to really survive an evening of hanging out. I had bought one of Andrew’s Krampus masks and wore it out for an evening during the Krampus Krawl last year. I really liked it, so I asked him if he could make some bautas. One of the levels on the Kickstarter for The Cask of Amontillado was Montresor’s bauta. Hopefully we’ll see some people wearing those and drinking out of their Cask mugs for Halloween.”

Chillinghast's Dark Lantern Tiki MugChaffin is also considering releasing a red glaze variant of the Amontillado Barrel called the Cask of the Red Death with a matching red mask. Offering different color variations of his mugs is an idea Chaffin is resurrecting for Chillinghast’s Dark Lantern collection, based on a recurring character at Netherworld haunted house known simply as The Collector. A limited number of corpse blue mugs are available through Horror In Clay’s website, while the burnt bone version is available exclusively through Netherworld’s gift shop, which opens Sept. 25. This collection is rounded out by glow-in-the-dark swizzle sticks, a coaster with a recipe for the Spirits of the Dead cocktail and other novelties.

 

“The mug depicts elements from the backstory of Netherworld’s iconic character The Collector, who lurks around the Whyshburg Burial Grounds,” he says. “One side shows him at the gates of the cemetery. The other side is a closeup of the lantern The Collector carries to collect the Spirits of the Dead.”

www.horrorinclay.com

Madeline Brumby talks monsters, makeup and more at Monsterama

Madeline Brumby

Photo by Ashley Anthony.

The Monsterama horror convention makes its debut in Atlanta Aug. 1-3 and brings with it a cadaverous cadre of horror legends and underground favorites. Featuring the likes of Space Ghost Coast to Coast‘s C. Martin Croker, Big In Japan writer Timothy Price, Monstrosity Championship Wrestling’s Professor Morté and Hammer scream queen Veronica Carlson, Monsterama is not likely to disappoint fans of horror films, comic books, literature, art and theater. But Monsterama also features a new generation of creatures ready to rise from their proverbial coffins. One such vixen is Madeline Brumby, who played Edna Marco in the cult favorite Dear God No!, danced as a Go-Go Ghoul in the Silver Scream SpookShow and has helped stave off the undead at Atlanta Zombie Apocalypse, among other spooky endeavors. As she prepares for a weekend of scream queens, monster makeup and other atrocities, she takes a moment to talk to Wrestling with Pop Culture about her burgeoning horror career and what her role will be at Monsterama.

What exactly is your role at the inaugural Monsterama? 

I just got involved pretty recently when Anthony Taylor asked me to be a guest, which I was excited about. He’s one of the creators and organizers of Monsterama. I have the opportunity this Friday to host a panel with Veronica Carlson, who was a Hammer star and a scream queen. We’re doing a panel talking about acting in horror films and what that was like. I’m really interested to hear what she has to say since she had quite a career that went on for many years. She did all sorts of productions for Hammer and was quite a striking looking woman. She was definitely in the prime time for horror films.

She obviously has a much more storied career than you’ve had at this point. I’m guessing you’ve drawn inspiration from quite a bit of her work. What do you anticipate when you host this panel with her?

Madeline Brumby (right) as one of Dracula's brides in the Little 5 Points Rockstar Orchestra's production of "Dracula". Photo by Stungun Photography.

Madeline Brumby (right) as one of Dracula’s brides in the Little 5 Points Rockstar Orchestra’s production of “Dracula”. Photo by DornBrothers.

I’ve definitely admired her. I imagine she’ll probably have a lot of behind-the-scenes stories that will be interesting about how her career started, how she fell into that kind of path. I fell into the horror path kind of by accident. It’s not that I had anything against it, it just kind of went that way. It seemed to be the thing that most people were trying to do independently. That’s how I found Dear God No!. I’m curious how she got started and that’s what I’d like to ask her about.

Tell me a little more about how you ended up in Dear God No! and the horror industry in general.

I was scrolling through auditions and casting calls and things like that and I stumbled across an audition log for Dear God No!. It was well written and the person who wrote this call was obviously intelligent, knew what they were writing about and there weren’t misspellings. Every single answer was posted for questions that all actors and actresses are looking for. Do you get paid? How long does it shoot for? What is the actual role? What is expected of the character? It said Edna Marco, kind of young, slightly abused female, some nudity required. I was like, “Sounds interesting. I’ll submit and see what happens.” Jimmy Bickert responded in, like, ten minutes. So, I was like, “Oh, OK. I guess they’re really looking for somebody. Maybe the script is great or not so great. Or maybe he really does like me.” It’s hard to tell when you’re young and not too familiar with how independent projects work. I didn’t know if it was some weirdo. I auditioned and got the role and that’s how I fell into Dear God No!.

I understand you had a career in biology prior to that, but were you already doing any acting before Dear God No!?

I was. I got my biology degree from Georgia Tech. I finished up with school and decided I did not want to pursue a field in medicine any more. I was much happier doing performing arts, being on stage or being in front of a camera. I had done a science fiction project, I had done drama projects, I had done small commercials and was just on the hunt for other projects until Dear God No! came along. That just changed everything. It was such an interesting group of people that were really pushing for the success of the film. It got me involved in a completely different world of people that was super awesome for me. I’d always liked horror and it just made a world of difference for me and my career.

Was that how you ended up working with the Silver Scream Spookshow and Atlanta Zombie Apocalypse?

Madeline Brumby

Photo by Jonny Rej.

I ended up falling in love with [horror artist/special effects expert] Shane [Morton]. At the time I was not involved with the Spookshow. Then the Spookshow kind of reassembled a few months after Dear God No! was filmed  and I was invited on to the Spookshow. I’ve always loved doing children’s theater and shows for kids. I enjoy their genuine response to theater, so I was really on board with that. Through Shane, I’ve certainly met all sorts of interesting people and learned a totally new skill set, which is doing makeup. I’m also helping with a panel at Monsterama with some other folks doing makeup.

That was actually my next question was how will Dear God No!, the Spookshow and AZA be represented at Monsterama? 

There is going to be a Spookshow. We’re showing The Valley of Gwangi and there will be a fun Spookshow just before that. We’re also showing Atlanta Zombie Apocalypse: The Movie at 11 p.m. on Friday. I’m helping with several makeup panels. It should be a really fun convention if you’re into literature, if you’re into film or if you want to see how to do some cool makeup.

Are there any other guests you’re excited about seeing at Monsterama?

I am excited about seeing Victoria Price, daughter of Vincent Price. It will be really interesting just to say, “Hello” to her and find out what it was like growing up with Vincent as her dad. She just seems like an interesting person and she’s been a huge supporter of her father.

www.monsteramacon.com