Tag Archives: Elizabeth Banks

“The Hunger Games” borrows heavily from other stories to satisfy sci-fi appetites

Sometimes new pop culture trends slip right by while I’m busy watching wrestling and stuff. Such is the case with The Hunger Games, the new film based on the first book in a trilogy of novels by Suzanne Collins.

Katniss (Jennifer Lawrence) takes aim in “The Hunger Games.” Photo by Murray Close

Apparently these books appeal to the same tween audience as the Harry Potter and Twilight books, both of which also became pop culture phenomenons before I had even figured out what they were about (I still haven’t had a chance to see any of the Twilight movies). But I’m actually glad I didn’t know that before seeing The Hunger Games because I saw similarities to various other stories playing out on the screen.

Set in a dystopian America segregated into 12 concentration camp-like districts, the titular games are a perverse way for The Capitol (the movie’s Orwellian governing group, which employs elaborate costumes and grooming to further elevate itself from the commoners) to entertain itself while maintaining control over the populous. It’s basically the same concept as 1987’s The Running Man and 1975’s Death Race 2000, only instead of using convicts in this kill-or-be-killed cross between a game show and reality TV, a male and female between the ages of 12 and 18 is chosen from each district to “play.”

Contestants are then placed in a wilderness setting where they have to first obtain their chosen weapons, then fend for themselves when it comes to food and survival. The only way to win this Darwinian game is to be the sole survivor. Katniss (Jennifer Lawrence), who has been the lynchpin for her family since her father died a few years earlier, volunteers to represent her district after the Mad Hatter-esque Elizabeth Banks announces that Katniss’ younger sister has been chosen. She’s paired with Peeta (Josh Hutcherson), which causes a bit of tension from the beginning since Katniss is leaving her sort-of boyfriend (Liam Hemsworth) behind.

Starting with the elaborate opening ceremonies and carrying over into the absurdly posh talk show segments that precede the games, Peeta makes his feelings for Katniss known, but it’s not clear if he is being sincere or if he is just trying to keep the show interesting. Either way, the two must soon fend for themselves against those chosen from the other districts, as well as the Big Brother-like overseers who are able to do things like insert giant pitbull-like creatures into the vaguely Matrix-like setting in order to keep the world watching.

Effie Trinket (Elizabeth Banks) announces Katniss’ admission to the Games. Photo by Murray Close

The Hunger Games does a great job of displaying the brutality that can come when people (especially adolescents) are placed in such cut-throat conditions. Alphas take charge, alliances form and boundaries are created as each teen fights for survival, or for the glory that comes with winning the game. Under the surprisingly astute guidance of Haymitch Abernathy (a drunkenly flamboyant Woody Harrelson) and stylist Cinna (Lenny Kravitz), Katniss refuses to play by the rules, which does not please The Capitol (especially after it has assisted her a couple of times by sending a magical salve that makes people heal as fast a Wolverine).

From what I understand, this is all eerily reminiscent of the 1999 Japanese novel Battle Royale. Like Harry Potter and Twilight, that’s another book/film I have yet to experience. Though I can’t attest to its similarities to these stories, I can say that The Hunger Games does borrow heavily from the aforementioned The Running Man and Death Race 2000, as well as 1984, Brave New World, Mad Max and, to a lesser degree, Romeo and Juliet, both thematically and visually. So regardless of its inspirations, The Hunger Games is more than just a showcase of pretty people (though that is definitely part of its appeal). And it’s sure to appeal to teenagers crushing over the film’s young stars as well as sci-fi fans who like a bit of substance with their futuristic stories.

The Hunger Games. Directed by Gary Ross. Starring Jennifer Lawrence, Josh Hutcherson, Woody Harrelson and Elizabeth Banks. Rated PG-13. www.thehungergamesmovie.com.

“Man on a Ledge” leaps… into theaters

I don’t normally like to spoil a movie’s ending, but I’m going to go ahead and tell you that in Man on a Ledge, the guy on the ledge jumps! But in a movie that has as many twists and turns as this one, that’s not really much of a spoiler.

Lydia Mercer (Elizabeth Banks) tries to talk Nick Cassidy (Sam Worthington) down in "Man on a Ledge."

You can’t really blame Nick Cassidy (Sam Worthington) for wanting to go out like that. Especially when you consider that it wasn’t long ago that he was a respected police officer who now finds himself in prison for supposedly stealing a nearly priceless diamond from the Donald Trump-like David Englander (played with voracious villainy by Ed Harris). Cassidy’s reputation is further tarnished when he uses his father’s funeral as a means of escaping from prison, embarrassing his brother Joey (Jamie Bell) and other friends and family in the process.

Knowing he will eventually be captured, Cassidy has no choice but to check in to a fancy New York City hotel, have room service deliver a hearty last meal and climb out onto the ledge to proclaim his innocence. Having recently dealt with a similar suicide situation, fellow cop Lydia Mercer (Elizabeth Banks) is called to the scene to talk him down. It doesn’t take long for her to suspect there’s more to this story than Cassidy (or anyone else) is revealing.

Angie (Génesis Rodríguez) wears a really tight black body suit. I think she's also trying to break into a vault or something.

As Cassidy’s story unravels (along with the nerves of pretty much everyone else involved), some strange occurrences begin to develop across the street – in Englander’s headquarters. There we find Joey and his beautiful girlfriend Angie (Génesis Rodríguez, who looks like one of those incredibly hot women from Telemundo soap operas because she is one of those incredibly hot women from Telemundo soap operas) clumsily attempting to pull off a Mission: Impossible-like heist without the secret agent expertise.

As the pieces fall into place, we begin to see that Cassidy may actually be innocent, while Englander is as despicable as they come despite a public perception that portrays him as a businessman who has weathered the storm of a tough economy. And just as Cassidy and Englander are not who we first think they are, Joey and Angie’s elaborate scheme is also not motivated purely by the desire to obtain a piece of Englander’s wealth. But pretty much nothing is as it appears to be in Man on a Ledge, which gradually becomes more apparent as police, news reporters (even an uber-Caucasian reporter played by Kyra Sedgwick has the comically ethnic name Suzie Morales) and anyone close to Cassidy get closer and closer to the truth of what’s actually at hand.

So by the time Cassidy finally takes the plunge, the result is not as morbid as you (or the ever-growing group of curious onlookers) might expect. And once the proverbial smoke clears, we see that Cassidy’s prison break plot was even more thoroughly planned than it first seems, with yet another huge twist before the credits role.

Man on a Ledge. Directed by Asger Leth. Starring Sam Worthington, Elizabeth Banks, Jamie Bell, Anthony Mackie, Génesis Rodríguez and Ed Harris. Rated PG-13. www.manonaledge.com.

Review by Jonathan Williams