AJ Styles has one last battle with Christopher Daniels at Final Resolution

If any one wrestler has become synonymous with Total Nonstop Action Wrestling, it’s “The Phenomenal” AJ Styles. He’s held every men’s title in the company, defeated almost everyone on the roster and been there since TNA’s first event. Though Styles has had many rivalries over the years, his perfect foil within and outside of TNA has been “The Fallen Angel” Christopher Daniels. These two have waged more high-flying battles in 2012 than perhaps ever before and it call comes to a head this Sunday at Final Resolution in what is being billed as a “one last time” match. But before that one-on-one encounter, Styles and Daniels will be on opposite sides of the ring tonight on Impact Wrestling as Styles teams up with TNA World Heavyweight Champion Jeff Hardy and “The Cowboy” James Storm to take on Daniels, Kazarian and Bobby Roode. Wrestling with Pop Culture recently got to talk to Styles yet again about his rivalry with Daniels, other potential rivalries and what his plans are for the new year.

This Sunday’s match is billed as the final battle between you and Daniels. What are your memories of the first time you and Daniels faced each other and how do think you’ve both changed as competitors over the years?

The first time he and I ever got into the ring together was the 53rd Anniversary of the NWA; it was the first time I had ever met Christopher Daniels. What a match it was – two guys who knew nothing about each other going in there and having an unbelievable match. I think it’s what helped take my career get to the next level. When you have matches like that with Christopher Daniels you get noticed. My popularity has grown every since I wrestled Christopher Daniels. As far as changing over the years, I can’t tell you that there’s been that much change as far as the wrestling goes. [But] we’ve been the closest friends and bitter enemies.

The two of you have met so many times, and the bar is raised each time you get into the ring together. Fans always expect the two of you to put on a tremendous match, so is there any pressure going into this Sunday knowing it’s being billed as the final match between you two?

The thing about me and Chris is we’ve had so many matches and they’ve all been pretty good, so the bar has been raised every time. The last time we met was a last man standing match and we literally about killed each other. It was such a brutal match from both of us that ended with me putting him through a table off the ramp with a Styles Clash. It’s so hard to top something like that because we literally left everything we had in the ring and outside the ring. There was nothing left of either one of us after that match, so to have one final match is a lot of pressure because we’ve got to make it something that people will never forget. We want to put on a classic. It is hard, but I think we’ll be able to do it.

You recently lost another match with a stipulation that you won’t get another title shot until next year. How does that change your outlook on your goals and what you want to accomplish in the next year?

I don’t know. The year’s not over and who knows what my mindset will be at the end of this year? I’m not sure where this will lead me and where I will take it. Hopefully there will be loopholes, there will be some way for me to get that world title before Bound for Glory. Who’s to say that I’ll even make in the tournament? I have yet to do that, so even though I may have a shot at Bound for Glory doesn’t mean I’ll get it.

Since Sunday’s match is being billed as the last meeting between you and Daniels, what do you plan on doing to try and make it stand out amongst the many matches the two of you have had against one another?

The thing I’m going to try to accomplish in this match is make sure it’s different from everybody else’s on the card and do something people haven’t seen, or maybe they’ve forgotten about like classic wrestling, classic storytelling and everything that goes along with what professional wrestling has been and what it will be. I think the thing is to try to make it different from what we’ve done and what everybody else is doing.

Is there anyone else on the TNA roster you’d like to develop a friendship or rivalry with that might compare to the ones you’ve had with Christopher Daniels?

Rivalries? Who knows who the next guy is? I can tell you that as far as friendships, I think I’ve done enough of those little friendships and factions and stuff like that. I think it’s about time that AJ Styles do his own thing and stop worrying about everybody else and stop being the janitor of TNA and cleaning up messes and go out there and do my own thing.

Probably the one solid rule in professional wrestling is to never say “never.” Do you really believe this is the last time you two guys will meet?

You know, I’ve thought about that myself. What if he’s in the Bound for Glory Series and what if I’m in the Bound for Glory Series? How can we not wrestle each other? Just little things like that. How can we stay apart? Is there going to be some rule? Or maybe there will be one final time where I ask him to wrestle me and he accepts or something like that. That’s going to be a hard one to get around, so we’ll see.

www.ajstyles.org

Monstrosity Championship Wrestling goes to the Asylum!

Wrestling with Pop Culture and the Silver Scream SpookShow are proud to announce that Monstrosity Championship Wrestling is being sent to the Asylum! After surviving the end of the world, MCW commits itself Jan. 4, the first Friday of 2013. Having found a new home, Professor Morte is ready to crown the first MCW Champion, which means some of wrestling’s top living and undead talents will arise for a championship tournament.

This tournament will feature first-time match-ups such as Universal Independent Wrestling Internet Champion “Bona Fide” Fred Yehi taking on Anarchy Wrestling Young Lions Champion “The Lethal Dose” Stryknyn in his MCW debut. You’ll also see NWA Atlanta Georgia Heavyweight Champion  Cru Jones of Hot Like Lava make his MCW debut against “The Zombie King” Papa Marko. “The Phantom” Casey Kincaid takes on “Do or Die” Chip Day and “The Undead Luchador” Supernatural battles “The Demigod” Mason in other tournament turmoil.

Which wrestling legend will Papa Marko bring back from the dead this time? What surprises might Johnny Danger have as he makes his MCW return? And what will come of this odd situation between the Invisible Man and the Wolfmen? There’s only one way to find out!

The wild and wooly band known as Bigfoot will be rocking. Who knows? Maybe the real Bigfoot will actually show up! The Cayrum Honeys will definitely be there handing out creepy concoctions such as To Hell You Ride. And we’ll have raffle prizes from Reckognize, Pine Street Market and more!

Georgia Wrestling Now welcomes The Jagged Edge and Andy Anderson

Team All You Can Eat’s Matt Hankins makes his co-host return on this week’s Georgia Wrestling Now. But that’s not the only return for a GWN regular as The Jagged Edge calls in to talk about his upcoming return to the ring after being injured at an Anarchy Wrestling event a few months ago. In addition to talking to the former Pro Wrestling Resurrection Heavyweight Champion, Wrestling with Pop Culture also hears from NWA Atlanta Tag Team Champion Andy Anderson about the recent change from NWA Action, the promotion’s status with the National Wrestling Alliance and  his upcoming match against Rick Michaels and Bobby Hayes at Saturday Night Rumble IV. Listen live every Monday at 7 p.m. and call 347-324-5735 for questions or comments.

Even while injured, The Jagged Edge has maintained an intimidating presence in Univerasl Independent Wrestling, Anarchy Wrestling and Pro Wrestling Resurrection. Photo by Harold Jay Taylor/Headlocks and Headshots.

Listen to internet radio with PSP on Blog Talk Radio

Dystopian future is easier to comprehend with DVD release of “The Day”

Just three months after its limited theatrical release, WWE StudiosThe Day is now available on DVD and in a Blu-ray/DVD combo pack. In my initial review of the film, I praised the film’s stylistic approach to a bleak post-apocalyptic landscape where nomadic packs of humans do battle for survival. But even though the film’s washed-out look and masterfully low-budget special effects are impressive, I still feel like it wanders around the topics of why these two groups of people are at each other’s throats and how humanity has found itself in such a weary state.

But mystery can be a good thing, so the fact that we never find out the specifics of the war that has left a few stragglers fighting for survival isn’t a huge problem. Though bonus features are sparse on this DVD/Blu-ray release, the commentary track featuring director Doug Aarniokoski, producer Guy Danella and writer Luke Passmore does offer some insight into the things that weren’t apparent to me the first time I watched the movie.

The premise of The Day is that the protagonists (Shannyn Sossamon, Shawn Ashmore, Dominic Monaghan, Cory Hardrict and a viciously emotional Ashley Bell) find refuge in an abandoned farmhouse that is actually a trap set by another clan led by a Mohawked Michael Eklund. What wasn’t clear the first time around was why one group of humans had set a trap for another group of humans rather than working together to restore some semblance of civility to the world. But the audio commentary explains that the world is now devoid of animals, meaning that many people have resorted to cannibalism in order to survive. So those trapped in the house are intended to be the next few meals for Eklund and his carnivorous clan. (The commentary also points out that one of the bad guys is played by Shimon Moore from the band Sick Puppies, which I otherwise would probably not have realized.)

Well, that puts everything into an entirely different perspective. Now that I know specifically what these people are fighting over, and the consequences those trapped inside the house face if they lose the fight, I’m able to be much more emotionally invested in a movie that already hooked me with its visual prowess and cinematography. And that fact that The Day features people fighting for their lives in a futuristic wasteland that doesn’t include zombies, vampires or other supernatural threats is a refreshing nuance what could otherwise have been a tired rehashing of horror clichés. Despite my initial criticisms, I enjoyed The Day the first time around. But multiple viewings definitely make for a more enriching experience.

Georgia Wrestling Now welcomes West “Knife” Evans, Larry Goodman and Rick Michaels

While most of us are getting back to the grind after an extended holiday weekend, Georgia Wrestling Now brings you its second installment in a three-part series with Pro Wrestling Resurrection Heavyweight Champion, Peachstate Wrestling Alliance Tag Team Champion and Georgia wrestling veteran Rick Michaels. Team All You Can Eat’s Matt Hankins is still on vacation, so Wrestling with Pop Culture is joined by aspiring Atlanta comedian West “Knife” Evans, who has spent some time in the ring as a referee and designed posters for Platinum Championship Wrestling and Monstrosity Championship Wrestling. Georgia Wrestling History‘s Larry Goodman also stops by to discuss Global Championship Wrestling’s event last Saturday (was WWE‘s Sin Cara there as advertised?) and recent and upcoming events throughout the Georgia wrestling scene. Listen live every Monday at 7 p.m.

Rick Michaels and the Exotic Ones bring carnage to Peachstate Wrestling Alliance's Turkey Bash II. Photo by Harold Jay Taylor/Headlocks and Headshots.

Listen to internet radio with PSP on Blog Talk Radio

Fabio Luis Santos springs into amphibious action in Cirque du Soleil’s “Totem”

Born just three years ago, Totem is one of Cirque du Soleil‘s youngest touring shows. Featuring performers from 18 different countries, Totem focuses on the evolution of mankind, as well as the individual potential each of us holds in the larger framework of the history of humanity. Totem features several acrobatic acts unique to this show, including Chinese unicyclists who catch bowls on their heads, a Blue Man Group-like act featuring a scientist juggling illuminated balls inside a clear cone, and a Native American couple performing a roller skating ceremony atop a giant drum. But bookending the entire spectacle are Totem‘s iconic and acrobatic frogs who hop around on a giant 2600-pound turtle skeleton, criss-crossing each other as they leap through the air. One of those frogs is portrayed by Brazilian gymnast Fabio Luis Santos, who takes a moment to talk to Wrestling with Pop Culture about his amphibious transformation.

Photo by Pouya Dianat/Cirque du Soleil.

When you were growing up training to be a gymnast, did you ever imagine that you’d end up portraying a frog?

Not really. I always thought I’d be a gymnast, then a coach. I did my physical education at the university, focusing on the sports side. After the opportunity came to audition for Cirque, which would be more structured and more well payed, I started to look towards the more artistic side.

Each Cirque performer has to do his or her own makeup. Is that something you had to learn specifically for Cirque or had you previously been involved in any sort of theatrical performances?

I never did my own makeup before or even used makeup before. But now it’s such a part of my life to wake up, come here, shave and do my makeup. You get used to it. It’s something new for me, but it’s part of my life.

How long have you been part of this show?

I started with its creation. I think I was the first guy arriving in Montreal in September 2009. The next day a few more frogs arrived and we started the creation. A little later, more people started to come throughout the month. But I’ve been doing it for a little more than three years.

Did you have any creative input on Totem since you were one of the first performers involved with it?

A little, yes. The director, Robert Lepage, is a genius. He was open to new ideas. We know that he’s amazing and we are just learning, so we didn’t try to give him a lot of stupid ideas. But he used to ask and we really participated in the entire evolution of this show as it was growing. Of course we helped with its creation, but it mainly came from his mind and he made the show.

Has the show evolved much since it started touring?

Oh, yes. A lot. Everybody has gotten more experience. I was new in this business and a few other people were, also. The acts have developed a little bit more. We opened with not a lot of problems and it was a great show already. Now we’re even better and I believe within a few years it will only get better and better.

Photo by Pouya Dianat/Cirque du Soleil.

Where all has Totem taken you so far?

We’ve done North America and Europe. Then we’ll move to Australia, back to Europe, Japan, South America. The show has a lifespan of 15 years, but will remain in the U.S. until at least 2014.

How do audiences in different cities and countries react to Totem? Do you tailor each performance to the location you’re in?

The Americans are really crazy. They scream a lot and clap a lot, and that’s pretty cool. In Europe they were a little more reserved, especially in London. They’re great also, but they just clap and keep a little more quiet. Here in the USA it’s amazing. I think USA is a great crowd and I love when people scream and clap and go crazy. It’s a great feeling.

Do you plan on being a frog in this show for the full 15 years?

Not really. It’s a long time and Cirque’s prepared to replace each performer when the artist decides to stop or change shows. I have a few plans for next year ,but for now I am with Totem until the end of my contract.

What are your plans after Totem?

I’m moving to another Cirque show in Brazil. After doing a show for three years, I’m looking for new challenges. I’m doing a show where there’s a lot more acting, so there will be a lot of new challenges. Everybody has their own timing. Some people stay with a show for five years, some people stay 15, some people stay 20. But it’s almost my time to move on, but I’m still with Totem and I will finish my work here before moving on to anything new.

Given your background as a competitive gymnast, what was the transition to this type of performance like for you?

I’m really competitive, so it was really hard for me to become an artist without the competitive side. I like to win, I like to be on a podium, I like people calling, “First place, Fabio Santos.” Now I try to use a similar feeling to being in first place when I am on stage every day with people clapping. It’s kind of a similar feeling, but it was hard for me in the beginning to not compete. But, for me, coming to the best company in the entertainment business, it gives me a new vision of life and work.

How did the opportunity to join Cirque originally arise for you?

Somebody from casting went to Brazil to find new talent. Cirque really likes Brazilian people because we’re really open to new things, we laugh, we have fun and we have something warm inside. So I did the audition at the end of 2008 and the next year they called me to offer me a job.

At this point in your life and career, do you think you’d like to continue doing this type of acrobatic performance or go back to competing at some point?

Photo by Pouya Dianat/Cirque du Soleil.

If I go back to competing someday, it would be just for fun and not really to win. My time has passed. Now I’m an artist and I want to keep doing what I’m doing. One day, when I decide to stop, I can go back to gymnastics just to have fun and enjoy my body and what I’ve learned and done all my life since I was eight years old. Acrobatics is part of my life, so I cannot let it go very easily.

With all the different nationalities, cultures and languages you encounter each day on a Cirque show, what is it like for you as a performer?

We learn a lot about other cultures. It’s great to see people who have grown up in a different way than I did. We have to respect each other. To be an artist in Cirque du Soleil you need to be a little crazy. So at the end, everybody’s a little crazy and we have a good life together. We’re a family even though everybody’s from a different place in the world. We try to understand and be cool with that so we don’t have any problems.

www.cirquedusoleil.com/totem

“Rise of the Guardians” reveals new secrets about the holidays

 

 

 

If you’re looking to have your illusions about Santa Claus, the Easter Bunny and the Tooth Fairy shattered, Rise of the Guardians is just the kind of animated adventure you’ve been waiting for. Don’t worry, though. I’m not talking about any of that “Santa’s not real” kind of stuff, because we all know that would just be ridiculous. There are a lot of things you probably didn’t know about Santa, the Sandman (no, not that Sandman) and all the other fantastical beings that have existed on the periphery of your imagination since your childhood, though.

Based on William Joyce‘s The Guardians of Childhood books (and reminiscent of Rankin/Bass‘s adaptation of L. Frank Baum’s The Life & Adventures of Santa Claus), Rise of the Guardians reveals that Santa, the Easter Bunny and all the others are very much real. But the roles they play in the lives of children are far more involved than delivering presents or hiding Easter eggs. Collectively, they form the Guardians and they each have their own set of responsibilities towards protecting the world. Santa, a tattooed swordsman with an Alec Baldwin-voiced Eastern European accent, is the Guardian of Wonder and calls a meeting at his North Pole home when he gets a cryptic message from the Man in the Moon a few day before Easter. Like any ragtag group such as this one, there’s plenty of good-humored in-fighting between the Australian adventurer the Easter Bunny (Hugh Jackman), the hummingbird-like Tooth Fairy (Isla Fisher) and the benevolent Sandman, the oldest and first Guardian chosen by the Man in the Moon. (I’m just glad the Tooth Fairy isn’t The Rock in a hockey uniform.)

The reason the Man in the Moon has summoned all of the Guardians is because The Boogeyman (no, not that Boogeyman) has gathered his strength and is threatening to destroy all that is good in the world. Whether he’s turning the Sandman’s dreams into nightmares, preventing the Tooth Fairy from gathering teeth or keeping the Easter Bunny from hiding his eggs, the scare tactics of this Boogeyman (voiced by Jude Law) are quickly causing children to stop believing in the Guardians. As a result, the Guardians’ power is slipping while the Boogeyman is only getting stronger. But there’s a reluctant new Guardian in Jack Frost (Chris Pine), who’s used to being a prankster, not a protector. But as the Boogeyman grows more powerful – and as Jack learns more about himself and his purpose as a Guardian – it seems that Jack is the only hope for the Guardians to prevent the Boogeyman’s fear from enslaving all of humanity. Thankfully, there’s still one kid out there who believes, but his faith is dwindling as his friends try to convince him there’s no Easter Bunny.

But as long as someone still believes, there’s hope for the Guardians. And though they normally like to be more secretive, the Guaridans realize that by revealing themselves to Jaime (Dakota Goyo) and his friends, they’re able to stand up to the Boogeyman and his legion of black stallions. In the process, Jack is able to figure out who he is and why he has been chosen as a Guardian. Even the Boogeyman learns a few things about himself, which ends up being his ultimate undoing, at least for now. And the greatest thing about Rise of the Guardians is that, much like The Nightmare Before Christmas did almost two decades ago, this film creates a new mythology where all holidays are created equal.

www.riseoftheguardians.com