Rio

“Rio” delivers soaring silliness for all ages

With his latest animated adventure, director Carlos Saldanha gets to leave the Ice Age and return to his homeland of Brazil in Rio. And as you might expect, this colorful land provides for an animated adventure just as big as the prehistoric creatures from his previous movies.

Rio follows the story of Blu, thought to be the world’s last blue macaw, who is exported by villainous animal smugglers to the faraway land of Minnesota before he is even old enough to fly. There, he is raised by a bookstore owner, leading a comfortably domesticated life of hot chocolate and other pamperings with no recollection of his more exotic birthplace. Voiced in an appropriately dweeby manner by The Social Network‘s Jesse Eisenberg, Blu is transported back to Rio when a scientist shows up with news that there is also a surviving female blue macaw, hoping the two will hit it off and prevent the extinction of their species.

Arriving in Rio de Janeiro just before the onset of Carnivale, Blu’s journey quickly becomes a Busby Berkeley-like jungle jaunt in which he and Jewel, the female blue  macaw voiced by Anne Hathaway, evade capture by smugglers and scientists while traversing wild terrain and parade floats. The fact that Blu is a bit of an ugly duckling in Rio (even as an adult bird, he has still never learned to fly) definitely causes some complications. But with the help of a toucan voiced by George Lopez, a drooling bulldog voiced by Tracy Morgan, a cardinal voiced by will.i.am and a canary voiced by Jamie Foxx, Blu and Jewel are able to stay one step ahead of Nigel, a bitter cockatoo doing the smugglers’ dirty work alongside his gang of marmosets.

Like the Ice Age movies, Rio is silly enough to entertain kids, yet clever enough for adults to enjoy. And as a bonus, the movie is preceded by an Ice Age short called Scrat’s Continental Crack-Up, which is sort of sneak peek at next year’s Ice Age: Continental Drift.

Rio. Directed by Carlos Saldanha. Starring Jesse Eisenberg, Anne Hathaway and Leslie Mann. Rated G. www.rio-themovie.com.

Review by Jonathan Williams

Courtesy WWE

R-Truth looks to win WWE title and pursue music career

Photo courtesy WWE

Since his return to WWE in 2008, R-Truth has been a hip-hopping fan favorite with moderate in-ring success. A former National Wrestling Alliance World Heavyweight Champion (and multiple time tag team champion), Truth has been on the verge of the main event picture for a couple of years. He won the United States Championship last year by defeating current WWE Champion the Miz, but lost it back to the Miz less than a month later. Proving how quickly things can change in WWE, Truth now finds himself challenging his old rival for the WWE title in a three-way match also including longtime friend John Cena at Extreme Rules on May 1. Already in possession of a future WWE Tag Team title shot thanks to his NXT rookie Johnny Curtis winning season four, Truth could finally be on the brink of breaking out of his midcard status in much the same way the Miz did last year. In the meantime, the 2008 Slammy Award winner for Best Musical Performance takes a moment to tell us about his burgeoning musical career.

This is not your first time in WWE. Has there been a difference coming back? How do you feel about coming back and having a second chance?

The difference coming back now is I’m more mature, more grown up. It’s a business, it’s an art, it’s a craft and I feel that in what I’m doing now. So it’s a big difference being here now.

Have your opportunities expanded since you’ve been back?

Oh, yeah. Definitely. I even came in with a big boom, coming down through the crowd. I had a big push and I’m in the process now of working on a video for “Like Me Now.” It will probably be done in the next three or four months.

Is that the same song you were coming out to for a while with Eve?

No, that was “Right Time.” It will still be a hip-hop/metal mix like that. It’s just something I did for Vince [McMahon] inside his office for one of the promo packs we had. I rapped it to him and he liked it and said, “Oh, you should do something with this.” So we started working on this video.

Photo courtesy WWE

Is there going to be an album coming out in the future?

Oh, yeah. Definitely. Me and Cena even talking about doing some stuff together. I’m going to branch out a little more. I’m also doing some stuff with Trick Daddy and I’m going to be doing some stuff with a lot of people outside the music industry.

Being that you’re from Atlanta, which is such a big hip-hop town, is there anybody else outside WWE you’d like to work with musically?

I’d love to do some music with [Lil] Wayne, T.I., anybody, man. You’ll probably see a lot of music from me soon, so any one of those guys that want to get down with me, I’m ready to get down with them.

Interview by Jason Von Stein and Jonathan Williams

Courtesy Academy Theatre

PCW uses a different kind of muscle this Saturday at Battle Acts

By Jonathan Williams

Stephen Platinum is out to win the Battle Acts battle axe

Platinum Championship Wrestling takes its battles from the ring to the stage this Saturday for the culmination of its series with Laughing Matters‘ Battle Acts. Read the story I wrote for Creative Loafing at the link below.

http://clatl.com/culturesurfing/archives/2011/04/14/pain-its-funny-pcw-fights-for-laughs-in-battle-acts-improv

CD reviews from the April 2011 issue of Stomp and Stammer

By Jonathan Williams

I reviewed the new Duran Duran CD, as well as the reissue of David Bowie‘s Station to Station and a Bowie tribute album, for this month’s Stomp and Stammer. Here are the links.

http://stompandstammer.com/index.php?option=com_content&task=view&id=3696&Itemid=50

http://stompandstammer.com/index.php?option=com_content&task=view&id=3699&Itemid=50

http://stompandstammer.com/index.php?option=com_content&task=view&id=3698&Itemid=50

 

WWE All Stars offers an over-the-top-rope alternative to other WWE games

With it’s over-the-top characters and art style, WWE All Stars rekindles memories of previous exaggeratedly stylized wrestling games such as WWF WrestleMania: The Arcade Game and WWF In Your House. Unlike THQ‘s more realistic WWE SmackDown vs. Raw series, WWE All Stars never takes itself too seriously and maintains a more lighthearted fantasy tone much like Power Stone and NFL Blitz.

The moves themselves are extremely cartoonish, many of which will have you knocking your opponent to unrealistic heights or bludgeoning foes with rapid succession combos. It is mindless fun anyone can enjoy weather they are diehard WWE fans or just casual gamers. That being said, it should be noted that a match can be won without administering a single wrestling hold, which may turn off some hardcore fans of wrestling games such as Fire Pro Wrestling.

The roster consists of both legends from the past and current superstars, allowing for the likes of Hulk Hogan, the Macho Man, and the Ultimate Warrior to square off against John Cena, Randy Orton, and the Miz. For superstars like Shawn Michaels and the Undertaker, whose careers have flourished during both eras, current and past outfits can be unlocked as you progress through the game.

Additional characters such as the Honky Tonk Man, the Million Dollar Man and his son, current superstar Ted DiBiase, can also be downloaded. Others that will be available to download in the future include the Road Warriors, Chris Jericho and Big Bossman. And with WWE’s extensive roster through the years, there will hopefully be many more downloadable characters such as my personal favorites Razor Ramon and Diesel.

Though it doesn’t feature as many different game play modes at SmackDown vs. Raw, WWE All Stars still offers plenty of fun to satisfy gamers for hours, with seemingly limitless things to unlock the more you play. All Stars‘ create mode may not be as robust as that of the SmackDown vs. Raw games, but it still gives plenty of enjoyable options that allow you to create your own challengers. All Stars also offers online play and features modes such as, Fantasy Warfare, where current superstars can do battle with those from WWE’s past, preceded by vignette videos. A personal favorite is the Path of Champions mode, which includes a series challenges over the course of ten matches. The three story options include a quest to earn a title shot at WrestleMania against Randy Orton, an attempt to topple the Undertaker at SummerSlam and a tag team option culminating in a showdown against D-Generation X. All three are accompanied with cutscenes that are  extremely well done, my favorite being one in which DX plugs the very game being played. Having played  many wrestling games prior to this one, I feel that the cutscenes in the Path of Champions mode are some of the best ever, though I would prefer to see more of them here.

As fun as All Stars can be, it does seem to have a few glitches and minor drawbacks (at least the PlayStation 3 version I played did). For instance, despite the otherwise comic book-like nature of the game, the ring entrances tend to be rather brief, especially in the Path of Champions mode. And when playing as a tag team, if you skip through the entrances the wrestlers are sometimes out of sequence, with partners and opponents coming to the ring in random order. Load times tend to take too long and, for some reason, the run button often just didn’t work when I played the game. Attempting to counter moves is usually ineffective and figuring out how to administer finishing moves can be quite daunting as well. The game also tends to lock up fairly often, which can deter extended play in the future.

Despite these complaints, All Stars is a fun fighting game, especially if you’re a WWE fan. While there are better fighting games out there, this one has its own unique offerings that help redeem its flaws. All Stars definitely offers something to build another WWE video game franchise on and offers some of the most enjoyable wrestling action since the old World Wrestling Federation and World Championship Wrestling titles for Nintendo 64. Like those games from the late ’90s and early ’00s, the presentation and mannerisms of the All Stars characters are accurate caricatures. And it’s good that today’s younger WWE fans can be introduced to some of the industry’s legends in such an engaging manner.

Also, with All Stars THQ has the opportunity to please fans in two very different ways. If All Stars follows the path that the SmackDown vs. Raw series has taken, it can become the more fast-paced option, which gives SmackDown vs. Raw the chance to go back to the more methodical pace it once had, more along the lines of the Fire Pro series and the N64 favorites. But regardless of what happens with the SmackDown vs. Raw series, All Stars is definitely a unique alternative that explores the comic book aspects that have always been present in WWE programming.

WWE All Stars is available for PlayStation 2, PlayStation 3, PlayStation Portable, Wii and Xbox 360. Rated T. www.wweallstars.com.

Review by Jason Von Stein

WrestleMania XXVII delivers one of the greatest spectacles in entertainment

John Morrison, Snooki and Trish Stratus celebrate their victory in one of WrestleMania's more unexpected moments. (Photo courtesy WWE)

WrestleMania has been one of the most anticipated events of the year for me for most of my life. But it wasn’t until I finally got to witness this sports entertainment spectacle in person (even getting to take part in a pre-show press conference where John Cena himself answered my question) that I truly felt the electricity and excitement that is in the air at a live WrestleMania. And now that a full week has passed and I’ve had a chance to fully digest the overall experience, it seems like the time is right to share my WrestleMania experience.

Already known as the grandest stage of them all, WrestleMania XXVII proved to be one of the grandest of the grand, breaking the Georgia Dome‘s attendance record with almost 72,000 people. And by the time Cena‘s extended entrance, featuring a full gospel choir, got the main event  underway, I had already felt the hair on the back of my neck stand up several times throughout the night.

Following Atlanta’s own Keri Hilson singing “America the Beautiful” to get things underway, WrestleMania host the Rock made his first appearance of the night.

The Rock electrifies as the WrestleMania XXVII host. (Photo courtesy WWE)

After that, it was moment after moment of breathtaking splendor. Surprisingly, the first match of the night was the much-hyped bout between World Heavyweight Champion Edge and this year’s Royal Rumble winner Alberto Del Rio. Despite its placement on the card, this title match proved to be one of the more exciting bouts of the night, with Christian helping Edge fend off Del Rio’s personal ring announcer Ricardo Rodriguez and his season four NXT rookie Brodus Clay to retain his title. Edge and Christian then joined forces in a celebratory vandalization of Del Rio’s Rolls-Royce, still parked on the entrance ramp.

Like a classic comic book story of good vs. evil, the second match pitted the allegedly disfigured (and previously “Dashing”) Cody Rhodes against Rey Mysterio, whose Captain America-inspired outfit was complemented by a Roy Lichtenstein-like pop art entrance video. While I don’t think Rhodes’ victory got him over as much as WWE would have liked (especially since he didn’t even try to unmask Mysterio as he had previously vowed to do), it did further establish Rhodes as a one-time pretty boy distraught over his marred appearance. The match itself was an early contender for match of the night, especially after Rhodes held Mysterio in the air for several seconds before backdropping him into the ring from the top rope. Ironically, it was Mysterio who removed Rhodes’ mask, using it as a weapon against Rhodes, before Rhodes hit Mysterio in the face with a leg brace behind the referee’s back to get the victory.

In one of the shortest matches of the night, the Corre fell to the team of Kane, the Big Show, Santino Marella and Kofi Kingston (replacing Vladimir Kozlov, who was injured by the Corre earlier in the weekend at WrestleMania Axxess). In a whirlwind of chaos in which all eight competitors hit big moves in and out of the ring, the Big Show quickly leveled Heath Slater with a punch to the face to get the pin.

CM Punk and Randy Orton put on another great match, with Punk further establishing his villainous persona by focusing on Orton’s injured knee and Orton hitting the mid-air RKO for an impressive victory.

Though it didn’t end with Michael Cole on the bad end of a Jerry Lawler piledriver as many had hoped, the next match definitely provided the comic relief it was meant to bring to the show. It all started with special guest referee “Stone Cold” Steve Austin riding to the ring on the ATV he used at WrestleMania 25 (which had also been on display for several days at WrestleMania Axxess) and almost running over Jack Swagger on the entrance ramp. The next few minutes basically consisted of Lawler showing Cole why he is “The King,” and “Stone Cold” showing a clear bias towards Lawler. After making Cole tap out, Lawler and Austin celebrated in the ring with a “Stone Cold” toast, only to have the anonymous Raw general manager reverse the decision and award the match to Cole via disqualification. But Lawler still had the last laugh as he and Tough Enough‘s new host celebrated with a
“Stone Cold” beer toast that resulted in Booker T and Josh Mathews receiving Stunners.

Things went from comical to serious as Triple H then made his grand entrance flanked by Spartan-like warriors and wearing a skull mask with a king’s crown, to the tune of Metallica‘s “For Whom the Bell Tolls.” The Undertaker then made his deliberate descent to the ring with little fanfare other than flames, smoke, a layer of fog hovering across the arena floor and that haunting Johnny Cash song that has become his new theme music. This match would become the most impressive match of the night, with Triple H dominating the early portions of the match, even going so far as to use the Undertaker’s own Tombstone Piledriver against him, followed by a confident mockery of the Undertaker’s pinning technique… only to have the Undertaker kick out just when it seemed that his undefeated WrestleMania streak had ended. There would be several more kick-outs and near finishes, proving that neither man was willing to give up this fight.

After putting each other through almost every possible physical test (including plowing through Michael Cole’s glass commentary case), Triple H eventually reminded the audience that this was a no holds barred match as he brought his signature sledgehammer into play. But Undertaker surprised us all as he clamped on his own previously-barred submission hold, the Hell’s Gate. Though he lasted longer than anyone else has ever lasted after having this chokehold applied, Triple H eventually had no choice but to tap out. And even though the Undertaker’s streak remained alive, it was the Undertaker who was carted out of the ring on a stretcher while Triple H was able to walk away in defeat.

This incredible athletic display was followed by the match that many fans were dreading: Trish Stratus, John Morrison and Jersey Shore‘s Snooki vs. Dolph Ziggler, Michelle McCool and Layla. This match served its purpose, however, providing a moment of silliness in which Snooki surprised many by hitting a series of backflips to get the pin over McCool. The match was over quickly and, even though neither male competitor was ever tagged into the match, Morrison and Ziggler got to show off a little with Morrison hitting Starship Pain outside the ring.

Snooki picks up the win over Michelle McCool. (Photo courtesy WWE)

Though I still don’t understand why Edge and Del Rio didn’t get the same fanfare that Cena and the Miz (or Triple H and the Undertaker) got in the main event for the WWE Championship, I was definitely impressed by the extended video package that preceded the Miz’s entrance, which featured the back of Miz’s head as he watched a wall of monitor screens displaying his rise from The Real World to WrestleMania main eventer. And even though I also still don’t quite get why Cena had a gospel choir sing for about ten minutes before he ever made it to the ring, it was yet another moment that sent chills down my spine.

This match lived up to the hype it had built up for the past several weeks, with the Miz proving that he’s a viable champion and Cena showing why he is one of the most respected (though clearly not one of the most popular) members of the WWE roster. After a surprise double countout that left both men lying outside the barricade, the Rock finally made his much anticipated appearance, restarting the match as a no disqualification match, exacting his revenge on Cena for the previous week’s Attitude Adjustment with a Rock Bottom that allowed Miz to get the victory.

Featuring superstars from at least three different eras, WrestleMania XXVII not only bridged the gaps between these different eras for fans young and old, it also allowed younger talents to prove their worth against more established competitors. WrestleMania XXVII had pretty much everything you could ask for from any type of entertainment show, with thrills, humor, drama and displays of athleticism that made this arguably one of the best WrestleMania’s of all time.

Though it was clearly catering to a broader audience than some traditional wrestling fans would like, this WrestleMania renewed my faith in what is now known as sports entertainment. And getting to experience it live in my hometown only made it that much more exciting.

Review by Jason Von Stein. WrestleMania press conference footage courtesy Russ Weakland of Hollywood Life.