Category Archives: Interviews

Granstaff combines faith and fandom in “The Masked Saint”

Chris Samuels (Brett Granstaff) has a touching moment with his daughter Carrie (T.J. McGibbon) before fighting crime as a masked vigilante.

Chris Samuels (Brett Granstaff) has a touching moment with his daughter Carrie (T.J. McGibbon) before fighting crime as a masked vigilante.

Professional wrestling is, among other things, a morality play pitting good against evil inside the squared circle. On one side are the heroes who encourage you to say your prayers, take your vitamins and otherwise be good people. On the other side are the rule-breaking villains willing to employ the most unscrupulous tactics to get what they want. This struggle between right and wrong is central to The Masked Saint, a film about a masked wrestler-turned-pastor-turned-vigilante based on the novel of the same name by wrestler-turned-pastor Chris Whaley. Inspired by some of Whaley’s actual life experiences, The Masked Saint stars Brett Granstaff, who also co-wrote the script and produced the film through Ridgerock Faith, a subsidiary of his Ridgerock Entertainment Group.

“The book is told in vignettes, so it’s spread out over Pastor Chris’ whole career as a pastor,” says Granstaff. “I liked the idea and story but I wanted to tell more of a traditional narrative and shorten the timeline of everything. My script is very different than the original script. Everything that happens in the movie did happen to Pastor Chris. He didn’t put on a mask when he fought, but he did stop a robbery, he did help a woman who was being beaten up. We just kind of dramatized it with the mask during those alley scenes.”

The Reaper (James Preston Rogers) suplexes The Masked Saint (Brett Granstaff).

The Reaper (James Preston Rogers) suplexes The Masked Saint (Brett Granstaff).

Growing up a wrestling fan, Granstaff took a crash course in wrestling with former WWE developmental talent James Preston Rogers, who plays Granstaff’s imposing adversary The Reaper in the film. Over the course of eight two-hour training sessions, Granstaff learned enough to be able to perform all of his own wrestling scenes in the movie.

“One of my favorite memories is when I was 7 years old and my mom took me to the War Memorial Coliseum in Nashville,” recalls Granstaff. “There was Hulk [Hogan], Andre the Giant, Roddy [Piper], Brutus ‘The Barber’ Beefcake, Junkyard Dog – it was the height of mid ’80s WWF. As I got older I kind of got into other sports. When this book and script came my way, my 5-year-old inner fanboy came out and I was like, ‘Yes! I get to learn how to wrestle? Let’s do this.’ I wanted it to be real and authentic, so with me doing my own wrestling it gives it that much more true authenticity.”

The film, which won best picture in last year’s International Christian Film Festival, is further validated by the presence of one of Granstaff’s childhood heroes “Rowdy” Roddy Piper, posthumously making his final film appearance as devious wrestling promoter Nicky Stone.

“We really didn’t know what to expect when we hired him,” Granstaff says of working with the WWE Hall of Famer. “In terms of acting, he had chops. He did his job and was great. The thing that really blew me away was how humble he was. There’s a lot of down time in filming and a lot of people go back to their trailers and sit around and wait. He never went back to his trailer. He stayed on set the whole time and talked with every crew member, talked with every fan and signed every autograph. We had a lot of indie wrestlers on the set and he met with every single one of them, took them to dinner, talked to them about how to cut a better promo, talked about what life was like on the road – he just wanted these guys to be the best wrestlers they could be. He loved his fans and loved wrestling. It was mind blowing how generous he was, especially since he’s a Hall of Fame wrestler. He was amazing and it was the greatest honor working with him.”

Chris and his wife Michelle (Lara Jean Chorostecki), who is unaware of her husband's crime-fighting persona.

Chris and his wife Michelle (Lara Jean Chorostecki), who is unaware of her husband’s crime-fighting persona.

After Piper’s shocking demise last July, Granstaff appeared at Global Force Wrestling’s television tapings last August to promote the film. Mysteriously, The Masked Saint also showed up to compete on the GFW ring against Joey Ryan (who had not yet displayed the power of his penis, as he recently did for Japan’s Dramatic Dream Team promotion). Granstaff will once again be appearing with GFW’s Jeff Jarrett at WrestleCon in Dallas during WrestleMania weekend. Could wrestling be in the actor/prodcuer’s future?

“Jeff thinks I definitely have the skill set, but thinks I’m a little too smart for it,” Granstaff jokes. “If it comes up and the opportunity presents itself, I’d love to get back in the ring. I just don’t know how many of those opportunities I’m going to get since I stay so busy with my films. Hopefully I’ll have the opportunity to do one or two more matches, maybe as The Masked Saint.”

themaskedsaint.com

“El Gigante” puts a lucha libre twist on grindhouse horror

El GiganteBorn and raised in Mexico and now residing in Canada, LuchaGore Productions‘ Gigi Saul Guerrero specializes in dark and gritty films steeped in Mexican traditions. “Dia de los Muertos,” recently released as part of the DVD/VOD anthology México Bárbaro, features strippers in sugar skull face paint getting riotous revenge on the sleazy men who objectify them. Guerrero’s latest short film Madre de Dios stars Tristan Risk as the personification of Santa Maria/Muerte torturously forced to give gory birth to a demonic offspring. But her most successful film thus far is El Gigante, which will screen at the New York City Horror Film Festival on Nov. 14 and will be part of Buried Alive Film Fest‘s Closing Night Shorts program on Nov. 15. With it’s disturbing look at just how far one Mexican immigrant is (not so) willing to go to cross the United States border, El Gigante is 13-plus minutes of masked wrestling mayhem.

“The film is based off the first chapter of a horror novel by Shane McKenzie called Muerte Con Carne,” says Guerrero. “When I read his book I was like, ‘This is the coolest freaking book ever!’ It’s Mexican, it’s dirty, it’s gritty, it’s exactly everything I love. He saw lots of our shorts and our segment for México Bárbaro and immediately was like, ‘You guys have got to make my book into a movie!’ We originally made the short as a proof of concept to sell the idea of the entire feature of El Gigante. The short is doing so well that we are now partnered with Raven Banner Entertainment to make the feature film happen. That’s a big project for next year. We’re going to adapt the entire book.”

See, I told you this family is weird.

See, I told you this family is weird.

Until then, we’re left with this grindhouse gorefest about a man who encounters an enormous, lucha libre-obsessed monster in a burlap mask and his sadistic family inside a wrestling ring. The foreign objects Gigante (played by Vancouver actor/boxer David Forts) brings into play during this match would make even the most hardcore deathmatch competitors cringe.

“The book is about this psychotic villain that’s obsessed with lucha libre,” says Guerrero. “He watches lucha libre down in his underground room in their house in the middle of nowhere. That’s all he does is watch old lucha libre tapes. He puts his obsession into his kills in their homemade wrestling ring. Every element in the short – the cannibalism, the lucha libre, the border crossing and, of course, the delicious tacos they sell – will be brought into the feature.”

Following this weekend’s festivals, the film will screen at Monster Fest on Nov. 28, A Night of Horror Film Festival on Dec. 5 and Macabre Faire Film Fest in January.

Canadian actor/boxer David Forts portrays Mexican monster/wrestler Gigante.

Canadian actor/boxer David Forts portrays Mexican monster/wrestler Gigante.

“What I love so much about it is it’s a totally different take on border crossing,” says Guerrero. “It’s got that hillbilly, old-school horror feel we all love. The feature script is really, really gory and fucked up. It’s got the perfect amount of humor and it’s disgusting. I thought the combination was perfect. I absolutely love it. I’m excited!”

Lucha Mexico documents the colorful world of Mexican wrestling

Filmmakers Alexandria Hammond (left) and Ian Markiewicz (right) with CMLL star Shocker.

Filmmakers Alexandria Hammond (left) and Ian Markiewicz (right) with CMLL star Shocker.

After working together on the 2012 documentary Better Than Something: Jay Reatard, independent filmmakers Ian Markiewicz and Alexandria Hammond traveled south of the border to find their next larger-than-life subjects. The result is Lucha Mexico, a documentary about the colorful world of lucha libre, better known to us gringos as Mexican wrestling. After dedicating four years of their lives to this project, Lucha Mexico premiered at the Guanajuato Film Festival in July. The film’s United States premiere takes place this Friday, Nov. 13 (with an additional screening on Nov. 18) at DOC NYC with appearances by the filmmakers and “El 1000% Guapo” Shocker and Jon “Strongman” Andersen, stars of Mexico’s most prominent wrestling promotion Consejo Mundial de Lucha Libre.

“I’ve been a wrestling fan my whole life and I really wanted to make a wrestling film,” says Markiewicz. “I was interested in how guys go down to Mexico to build up their careers, rehab their careers or whatever it may be.”

“My mother’s from Mexico, so I spent my whole life going down there,” adds Hammond. “I actually wanted to make a doc on bullfighting and matadors and what they go through, why they do it. I decided I didn’t want to make a film about animals dying, then Ian presented lucha to me. It was immediately what I wanted to do. It’s insane that they put their bodies on the line for this entertainment. I became obsessed.”

International star Gigante Bernarnd (NXT's Jason Albert, left), Shocker (middle) and Strongman (right) have interesting stories in "Lucha Mexico".

International star Gigante Bernarnd (NXT’s Jason Albert, left), Shocker (middle) and Strongman (right) have interesting stories in “Lucha Mexico”.

This obsession is apparent in Lucha Mexico, which not only gives an informative overview of one of Mexico’s most popular forms of entertainment, but also follows the lives of particular wrestlers including Shocker, Strongman, the legendary Blue Demon Jr., CMLL mini mascot Kemonito, Gigante Bernard (now WWE NXT trainer Jason Albert), and Fabian “El Gitano” and El Hilo de Perro Aguayo, who both died during the course of the film.

“When we started shooting we didn’t have an agenda to find the specific things that are in the film,” says Markiewicz. “It was more that we were open to what the experience would be and just showing that. Over the course of that time, this story formed and these characters have different arcs along the way.”

Even when hitting the gym, Úlitmo Guerrero wears his mask in "Lucha Mexico".

Even when hitting the gym, Úlitmo Guerrero wears his mask in “Lucha Mexico”.

Unlike American wrestling, which is largely seen as a farcical form of entertainment, Mexican wrestling fans still hold their heroes in high regard, which is apparent in Lucha Mexico. Even though the film shows in-ring rivals working out together (in their masks to maintain mystique) and interacting in nonviolent ways outside the ring, it respects the traditions of this athletic form of art.

“We wanted to be respectful of the fans and how the people see lucha,” says Hammond. “These are their superheroes. We got to see wrestlers without their masks, but we would never have shot them that way. But Blue Demon Jr., for instance, would never show anyone his face. He’s a truly-dedicated masked wrestler, and most of them are. We really wanted to honor and respect this cultural thing. We were excited to get so close to some of the most famous wrestlers in Mexico. It’s not about some beginner trying to make it. We’ve seen that story and it’s a great story, but we’re glad we got to share the world of these guys who have been in it for a while.”

Shocker is a popular presence in and out of the ring in "Lucha Mexico".

Shocker is a popular presence in and out of the ring in “Lucha Mexico”.

“We wanted to make sure we were getting the world and getting the experience of being there,” adds Markiewicz. “A lot of these tangents and other details are building up the world around the characters you’re going to spend more time with in the film. We wanted you to feel not just them and their stories, but the environment and experiences of really being there with them. When you’re down in Mexico and you’re talking to one wrestler, he’s going to say, ‘You’ve got to meet my friend. He’s working at this other show.’ They’re all so connected and they bring you around to all these things. They were pushing the idea of it being this one big world on us a lot of the time because that’s just how they feel about it. It would have been inauthentic in a lot of ways if we hadn’t tried to fill all that in.”

In much the same way it shows the respect between in-ring combatants, the film also illustrates the odd camaraderie between rival promotions, including footage from the traditional CMLL, the younger Asistencia Asesoría y Administración and the hyper-violent Los Perros del Mal. The parallels between the current lucha climate and the American wrestling scene of the ’90s is unmistakable, but you’d never have seen the United States equivalents World Wrestling Federation, World Championship Wrestling and Extreme Championship Wrestling (all now owned by WWE) cooperating on a film being made by people from outside the business.

Los Perros del Mal's El Hijo del Perro Aguayo appears in "Lucha Mexico" before making the ultimate sacrifice in the ring earlier this year.

Los Perros del Mal’s El Hijo del Perro Aguayo appears in “Lucha Mexico” before making the ultimate sacrifice in the ring earlier this year.

“Los Perros del Mal is definitely similar to something like ECW and AAA is no doubt very similar to WCW in a lot of ways,” Markiewicz admits. “Their approach to it is different, but it’s amazing how many similarities there are. In Mexico there was always the sense of, ‘You’re making a film about lucha libre. We’re all part of lucha libre.’ You may not see wrestlers moving back and forth between companies, but there was never a sense of, ‘Oh, you went and worked with Perro Aguayo? We’re not going to talk to you.’ CMLL in Arena México is the biggest thing. It has the most history and has the building. They knew we were shooting with other wrestlers and other companies and they really didn’t try to stop us and didn’t seem to have a problem with it. Even when people have seen the film, they’re like, ‘That’s fine.'”

This sense of community and family pervades Lucha Mexico, and Mexican culture in general. Perhaps that’s what makes the lucha atmosphere so much different from what American wrestling fans are accustomed to. That certainly seems to be the case from what is seen in this film.

“It’s so colorful it’s overwhelming,” says Hammond. “That’s part of the reason we took such a long time. We could have made a simple film about one guy or one girl or one ref, but Ian and I both said, ‘There’s no way to say it all.’ That’s what makes it unique. There’s something super special about it because it’s an entertainment and sport that captures the whole family. In Mexico it’s all about family and bringing people together. That’s what makes it so different. It’s an escape and people need it. We really wanted to capture this incredible rich thing.”

www.luchamexicofilm.com

LUCHA MEXICO (Teaser) from Children of Productions on Vimeo.