Category Archives: Theatre/Performance

Minette Magnifique gets a little uninhibited with “Prohibition Exhibition”

By Jonathan Williams

As classy as they are sassy, the lovely ladies of Minette Magnifique make their Warren City Club debut tonight with Prohibition Exhibition: Making the Illicit Explicit. As if Minette wasn’t already tantalizing enough, this show explores titillating taboos and vexing vices that only these vixens dare uncover. And if previous performances are any indication, things are bound to get more than a little bit silly as Baroness VONSchmalhausen provides humorous introductions to each riveting routine. And with a couple of fresh faces in the troupe, even those who have seen Minette’s past shows will have new reasons to come to this one-night engagement.

Prohibition Exhibition: Making the Illicit Explicit. $15 for general admission (includes a drink ticket), $150 for VIP seating (a table of four includes four drink tickets, hors d’ouvres, a bottle of champagne and a surprise gift from PinUpGirl! Cosmetics). 9 p.m. June 23. The Warren City Club, 818 N. Highland Ave., Atlanta, Ga. 404-688-7468, www.iheartminette.com.

Sandra DeNise helps bring a familar tale to the stage with “Shrek the Musical”

By Jonathan Williams

Updating the fairy tales of our youth with adult humor and a comically engaging story, 2001’s Shrek spawned an animated film franchise with characters that are familiar to adults and a story that can entertain their children. After debuting on Broadway in 2008, Shrek the Musical took to the road last July, setting out to bring the story of this misunderstood ogre to even broader audiences through song and dance. Having just had its 300th performance, the show makes its way to Atlanta for the first time this week. And helping bring this familiar tale to magical life is the Sugar Plum Fairy, played by Sandra DeNise, who returns to familiar territory herself having gotten her theatre and dance start while growing up in the Atlanta area.

Sandra DeNise plays the Sugar Plum Fairy. (Photo courtesy Brave Public Relations)

Were you involved with the original Broadway production of Shrek, or is the touring cast entirely different from the original show?

A majority of our cast participated in the Broadway show, but a lot of us are newbies and I’m one of them. I came into the production just for the tour and did rehearsals in New York City with the cast. We opened in July of last year in Chicago and just had our 300th show, so it’s been great.

A lot of your previous roles have been a bit more serious and have been set in more realistic environments. How did preparing for this role compare to preparing for your previous roles?

It’s been a lot of fun because my main role for the fairy tale creatures is the Sugar Plum Fairy. It’s much more of a fantastical world, the swamp in Shrek, than any other show I’ve done before. You have a larger world to create and there are not as many limitations, yet it’s still as real as you can make it because they have to be relatable characters. I’m covered in glitter every night, I have a wig that looks like an ice cream cone with candy all over the place and this fabulous sequined tutu and bodice with crazy-colored tights.

Even the way my character does things on stage, it only grows every single night because you get to do it eight times a week and it continues to evolve, as do the relationships you have onstage.

Blakely Slaybaugh as Pinocchio and the fairy tale creatues of Duloc. (Photo courtesy Brave Public Relations)

Is that the same Sugar Plum Fairy from The Nutcracker?

Yeah. The fairy tale creatures they’ve chosen to be part of this show are part of some other story, like Goldilocks and the Three Bears, Pinocchio is a central figure, the Sugar Plum Fairy, the Big Bad Wolf and the Three Little Pigs. So it’s quite a mixture of what we call freaks. There’s a number in the second act called “Freak Flag” where Pinocchio is pining about the fact that he can’t be a real boy and we help show him that it doesn’t matter if you’re different. It’s feeling loved and that you’re part of something that makes you strong.

Blakely Slaybaugh as Pinocchio and Kevin Quillon as a guard. (Photo courtesy Brave Public Relations)

Sounds kind of like a Lady Gaga concert.

Oh, yeah. Definitely, the song “Born This Way.” It sounds odd to relate Lady Gaga to Shrek the Musical, but it’s very true. That’s what I try to tell people about this show is it’s not just a stage adaptation of the movie. It’s a little bit deeper than that. Just as much as it’s a love story between Shrek and Princess Fiona, it’s also a story about how to have love for yourself and that you shouldn’t wish to be anything other than who you are. You have to love yourself because our differences are really what make us a stronger community, I think.

The Nutcracker is traditionally performed as a ballet. Being that you have a dance background, do you get to utilize those talents in this show?

Absolutely. My Sugar Plum Fairy routine is growing and I am continuously adding little ballet moves here and there. But I also do other ensemble roles within the show where I get to use my dance training.

Will this be your first Broadway show back in your hometown?

I’ve come through on two of the other tours I’ve done. One was my first big job, which was Rent. I got to do Rent at the Fox in ’99 and that was really exciting because I grew up seeing shows at the Fox and when I was a kid they were going to tear it down, but there was a bunch of promoting and fundraising to save the Fox. The second show I did there was when we actually opened the tour for Parade in 2000, which was extremely emotional for me to do because it’s actually a story written about little Mary Phagan, a girl who was killed and they blamed this one man, Leo Frank. It’s a true story that actually took place near Atlanta, in Marietta, and the opening song for that show is called “The Old Red Hills of Home.” So when we first opened and I was at the Fox singing a song about the old red hills of home, it was a very special experience and I got all mushy onstage.

So it’s been quite a while since you’ve performed at the Fox.

Yeah, it’s been a while since I’ve played the Fox. I’m so excited to be back, and just excited to be home in general to visit my family.

Shrek the Musical. $30-$67.60. 8 p.m. April 26-30; 2 p.m. April 30; 1 p.m. and 6:30 p.m. May 1. The Fox Theatre, 660 Peachtree St. NE, Atlanta, Ga. 404-881-2100. www.shrekthemusical.com, www.foxtheatre.org.

Courtesy Academy Theatre

PCW uses a different kind of muscle this Saturday at Battle Acts

By Jonathan Williams

Stephen Platinum is out to win the Battle Acts battle axe

Platinum Championship Wrestling takes its battles from the ring to the stage this Saturday for the culmination of its series with Laughing Matters‘ Battle Acts. Read the story I wrote for Creative Loafing at the link below.

http://clatl.com/culturesurfing/archives/2011/04/14/pain-its-funny-pcw-fights-for-laughs-in-battle-acts-improv

STEAMFest and PCW set wrestling back more than a century

As part of last weekend’s anachronistic festivities at the Steampunk Theatre Entertainment Art & Music Festival (STEAMFest) at Academy Theatre, Platinum Championship Wrestling put on a turn-of-the-previous-century-inspired catch wrestling show featuring three matches. With the Marquess of Queensbury himself refereeing the action, PCW’s show concluded the first day of STEAMFest on Saturday night.

El Diablo Blanco issues a challenge!

Though the show featured regular PCW talents, even those carnival-like gimmicks were given a greater sideshow treatment for the STEAMFest crowd. The first match featured the masked El Diablo Blanco, who issued a challenge to members of the audience. A brave soul named LJ (who was clearly from another time given his jeans-and-T-shirt ensemble) accepted the challenge only to be forced into submission by the more experienced (and incredibly pale) masked Mexican.

Giving new meaning to the term “black Irish,” Brian the Brawler (looking an awful lot like PCW’s Brian Blaze) then introduced himself before doing battle with Mr. Roboto, a masked competitor from the future. After a hard-fought battle, Brian politely bowed to his fallen opponent, shook the referee’s hand and thanked the audience.

Brian the Brawler defeats Mr. Roboto

The main event featured Mason the Mauler (clearly an ancestor of PCW’s own demigod Mason) in battle against longtime rival Marko Polo. Mason and Polo exchanged verbal jabs about their various battles and other conquests around the world before finally locking up in the ring. The two grapplers exchanged numerous submission holds and counters for what was shaping  up to be a real mat classic. That is until Polo raked Mason’s eyes in a heinously unsportsmanlike manner, exited the ring, only to return with a strange object that appeared to be a collapsing metal chair. With both the referee and his opponent confused by this technological trickery, Polo then used the chair not for sitting, but as a weapon, hitting Mason first in the gut, then across the back. With no other option, the referee disqualified Polo, who vowed that he would be back at the Academy Theatre each and every Friday for further displays of his physical prowess in the ring.

Marko Polo and Mason the Mauler do battle

Thankfully, Mason was not injured too badly and was eventually able to make his way out of the ring at the conclusion of the show. And this action-packed display was a fitting way to conclude STEAMFest’s first day, which was followed on Sunday by the Thimblerig Circus and other performers. For those looking for more Victorian-era performances, this weekend’s Clockwork Carnival features music, fire dancing and other circus-like attractions. And you can a more contemporary version of PCW every Friday at Academy Theatre.

Review by Jonathan Williams. Photos by Lynda Davis.

Steampunk gathers even more steam with STEAMFest and Clockwork Carnival

Photo courtesy Dim Horizon Studio

Over the past few years, steampunk has grown from a niche attraction at fantasy conventions and other geek gatherings to a nation-wide movement incorporating post-apocalyptic accessories such as tubes, goggles and various pieces of recycled and repurposes bric-a-brac into Victorian-era garb hued in browns, grays and striped patterns. A direct spin-off of the cyberpunk literary movement of the ‘80s and ‘90s, and inspired by the likes of Jules Verne and H.G. Wells, steampunk is in a galaxy (or at least alternate history) far, far removed from our own reality.

Continue reading at:

http://clatl.com/culturesurfing/archives/2011/04/07/steampunk-gathers-even-more-steam-with-steamfest-and-clockwork-carnival