Author Archives: Jonathan Williams

Prof. Morte brings monsters to the wrestling ring

For the past few years, Professor Morte has been the “ghost host with the most” at the Plaza Theatre‘s Silver Scream SpookShow, where he puts on a classic horror show with go-go dancers, screenings (or as he would say, “screamings”) of retro horror films and appearances by a cast of kooky characters. Last October, he took his monsters to the Atlanta Zombie Apocalypse to entertain the lines of people waiting to tour the facilities of the controversial Centers for Disease Development with the debut of Monstrosity Championship Wrestling. Little has been heard from MCW since those two shows, but Morte is ready to unleash the monsters again to help Wrestling with Pop Culture celebrate its first anniversary. As he plots this ultimate monster battle, he steps away from his lab to talk to Wrestling with Pop Culture about MCW’s return.

Hello again, Professor Morte.

Yes, it’s Professor Morte alive in the undead flesh!

As we’ve discussed on Georgia Wrestling Now over the past few weeks, Monstrosity Championship Wrestling debuted last October at the Atlanta Zombie Apocalypse and the Wrestling with Pop Culture Anniversary Party will be the first show you’ve done since then.

It’s the first indoor show for Monstrosity Championship Wrestling, so we don’t have to worry about lightning strikes.

Well lightning might help with some of the monsters.

Yeah. With some of the monsters we might have to bring the Tesla coils out there to jump start these guys.

A lot of people  may not have seen those shows in October…

Well shame on them! It was the greatest wrestling show that was ever put on. We had Frankenstein’s monster fighting the Wolf Man, we had a big all out zombie battle and it was pretty fangtastic. Those guys were really ripping each other’s arms off and beating each other over the head with them and stuff.

Will there be beheadings at the Monstrosity Championship Wrestling matches?!

Which monsters are on the card for tomorrow night’s show?

It’s a big surprise to everybody involved. We’re going to figure out tonight exactly what is going on tomorrow and which monsters I’ve got to let out of the cage and which monsters I’ve got to kind of spruce up in the lab so they’re presentable. And we’ll figure out what we’re going to do about some of these Platinum Championship Wrestling guys showing up and wanting to cause trouble at the MCW show.

Right. Of course Stephen Platinum very politely issued that challenge a few weeks ago on Georgia Wrestling Now. PCW will be coming over after the Atlanta Film Festival screening of The Booker and I guess they want to mix it up with the monsters a little bit.

Yes. It should be very interesting. I’ve been looking forward to this for about ten years now, so I’m really excited to finally be bringing Monstrosity Championship Wrestling to the Masquerade.

And I’m excited to have it be part of the Wrestling with Pop Culture Anniversary Party.

Great. And congratulations on your first year and all the things you’ve been doing. This show you’re putting on is like a variety show of great things that go on in Atlanta. You really pulled a lot of stuff together. You’ve got my favorite chocolate company with those spooky chocolates from Chocolate F/X and a lot of fun stuff going on at this show. You’ve really worked hard and the sponsors are fangtastic, so I’m looking forward to having an all around good time. Even if you don’t like wrestling, there are monsters! That’s reason enough to come to this show. You’ve got rock ‘n’ roll, you’ve got all kinds of stuff.

Even though it’s an all ages show, Neon Armour will also be doing body painting. So there might even be some boobies.

Oh, boobies! Well, children love boobies. And I love children. They’re delicious. I mean delightful. Children are delightful. So if they want to bring some children I’m sure the children will be very entertained with boobies, too.

With MCW, PCW, the bands, body painting and everything else, there’s sure to be a lot of stimulation at this show.

Over stimulation for some people. I’m really looking forward to it. We’re going to put on one yell of a show tomorrow night. I’m looking forward to scaring the yell out of you and the rest of the people that are attending so they can see just what is going to happen tomorrow night at the Masquerade! Muah ha ha!

Death is a Dialogue is ready to rock with monsters and wrestlers at the Wrestling with Pop Culture Anniversary Party

Atlanta’s Death is a Dialogue is not only one of the most energetic bands around, it’s also one of the hardest working. The band’s punchy pop punk is laced with heavy riffs and just enough punk rock attitude to keep things interesting. Led by former Drownout front man Jason Lee, DIAD consists of guitarist Joe Galunas, bassist Chris Hein and former Hanging Francis drummer Randall Gregg. DIAD recently finished its first East Coast tour and has played high profile shows with the likes of Quiet Riot, Everclear‘s Art Alexakis, Live‘s Ed Kowalczyk, Naughty by Nature and Hawthorne Heights. The band also played the Atlanta date of last summer’s Warped Tour by winning the Ernie Ball Battle of the Bands (Lee also won the same contest the two previous years with The Drownout, and you can vote for DIAD to play this year’s Warped Tour).

Having taken its name from an Emily Dickinson poem and recorded a song inspired by Edgar Allan Poe (“Low Lies Lenore”), the band has also been know to perform while wearing lifesized LEGO heads. DIAD has also been known to play some pretty rockin’ covers of songs by Queen, Rancid, The Offspring and other popular rock bands. So even though these guys may not know much about wrestling, they definitely know a good bit about pop culture, which is why they will be performing at the Wrestling with Pop Culture Anniversary Party on March 28. Coincidentally, this show will also be the band’s first anniversary performance. As we all prepare for the monsters, wrestling and rock ‘n’ roll, Lee and Hein take a moment to talk about this and other upcoming shows.

You guys have played a lot of big shows, but I don’t think you’ve ever performed at an event with wrestling or monsters.

Lee: That’s true. When I think back, I don’t think there’s been any wrestling or monsters, and definitely not the two combined, which is awesome. I’m looking forward to Monstrosity Championship Wrestling, though. That’s going to be badass.

Photo by Kevin Griggs

Why did you guys agree to play this type of show? Are you wrestling fans?

Lee: I haven’t been to a wrestling event since I was a kid, but my favorite ones were Hulk Hogan and the battles between him and Andre the Giant were always totally epic. And the Steiner Brothers. You don’t really hear about them much anymore, so I think those guys are kind of underrated. I think as a kid my favorite wrestler was the Ultimate Warrior because he dressed kind of like an Indian and I’m part Native American, so I guess I could relate to him, minus the hot pink tassels.

Hein: I think it will be cool just to have that ring in front of the stage. And putting rock and wrestling together is going to be cool.

Lee: Yeah. Anytime people are fighting and there’s a rock show going on, it’s going to be a good time.

I didn’t realize when I asked you to play this show that it’s not only the anniversary for Wrestling with Pop Culture, but it’s also the first anniversary for Death is a Dialogue.

Lee: Yeah. It’s a dual anniversary party. And our CD release is April 21 at Vinyl.

I know about Jason’s former band The Drownout and Randall’s band Hanging Francis, but how did the four of you come together to form Death is a Dialogue?

Lee: When the Drownout broke up, I put out ads on Craigslist. Me and Joe had already had in mind that we were going to put together another band. He used to play in a metal band called McClane, which was a very heavy, dark band. I always liked his guitar playing in that project, so we just talked about working together. Then we started putting up ads on Craigslist and auditioning people. We got Randall first, then we auditioned several bass players and some were very entertaining, but not in the right way. Eventually Chris walked in and…

Hein: …owned it!

Lee: Well, I think it was a good start when you actually knew how to adjust the volume on your amp. There was a girl that came in and auditioned and she didn’t know how to do anything. She didn’t know how to tune her guitar, turn up her amp or any of that stuff.

Hein: I’ve always been in bands since I was 13. I moved to Atlanta to go to Georgia State and had to leave the band I was in in Buford, where I went to high school. So I was looking, but I don’t think I was actively looking. But Jason hit me up on Facebook after I saw the ad and I came and tried out and got the gig that day.

Lee: It was funny though because some guy replied to the Craigslist post and I messaged this other guy, whose last name was Heim, saying, “Hey, man. You still coming to audition?” And it was so weird because he was just like, “Yeah, sure!” But it was just some random dude and he didn’t even know what the audition was for because I was messaging the wrong person on Facebook.

Photo by Kevin Griggs

You guys released an EP just a few months ago. Will the new CD be all new material?

Lee: At first we were going to release another EP with all new songs. The time frame of everything got pushed back a little bit, but we also thought, “Why do just another EP like that?” So what we’ve decided to do is release three songs at a time and do that three or four times this year, then at the end of that come out with a full album where we can put all the songs on there. I love EPs, but when I’m listening to EPs in my car I feel like they’re too short. If you’re driving somewhere, especially in Atlanta traffic, you’re in the car for at least an hour and I feel like people might get tired of it repeating over and over again. That was the only complaint we got on the last record was that it was too short. So we’re going to take our time with this and we’re going to release three songs at a time digitally and do some limited presses of signed copies for our fans and stuff. But at the end of all that we want to put all those together and do a full length that is pressed professionally so we can actually sell something that will be a complete piece of work. So on April 21 we’re releasing a disc of three songs and we’re only making 60 copies.

Since you’re having  your CD release after this show with monsters and wrestling, are you concerned about having all that kind of chaos going on around you?

Hein: I think it will make it better.

Lee: Yeah, the more chaos the better. It just adds to the show. I’m really excited about playing a show where there’s a wrestling ring in the room, like Chris was saying earlier. It’s something we haven’t been able to do before because it doesn’t happen very often. Especially the fact that there’s going to be monster wrestling. I can’t wait to see that. It’s going to be great.

For more information, go to www.deathisadialogue.com.

Upstream swim spawns inspirational comedy in “Salmon Fishing in the Yemen”

Fishing for salmon in the desert sounds ridiculous to Alfred Jones (Ewan McGregor).

Does fishing for fresh water salmon in the dry climates of Yemen sound impossible to you? Well, Ewan McGregor would emphatically agree, at least at first. In Salmon Fishing in the Yemen, McGregor plays Alfred Jones, a British expert on fishing who seems to have about as much emotion and enthusiasm as the creatures he studies. After receiving an email from Harriet (Emily Blunt) about a project to make fly fishing a reality in the middle of the desert, Alfred brushes it off without much consideration. But when the idea flows past Prime Minister’s vivacious press secretary (Kristin Scott Thomas), who is desperately looking for some positive press from the Middle East, Alfred soon finds himself meeting with a worldly sheik (Amr Waked) determined to make this far-fetched idea a reality.

Jones is reluctantly forced to begin work on the project, gradually realizing that it’s not only doable, but could actually prove to be a thriving prospect for ailing area. With his miserable marriage falling apart, venturing out into the desert to make the impossible a reality becomes a comforting escape. Of course, it doesn’t hurt that he’s working closely with the alluring Emily Blunt, who is need of some comforting of her own when it seems her boyfriend won’t be returning from the war.

Initially adversaries, Harriet (Emily Blunt) and Alfred (Ewan McGregor) become unlikely partners.

The whole thing soon gets a good bit of media attention and financial backers, but not everyone is so enthusiastic as some of the militant natives see this project as a betrayal on the sheik’s part and set out to sabotage the whole thing. Despite attempts on the sheik’s life and other setbacks, director Lasse Hallström manages to keep things lighthearted, giving a sense of humorous hope throughout the film. Once unlikely allies, Alfred and Harriet growing more and more fond of each other as they journey up the proverbial stream together in this inspiring journey rife with resistance.

Even when things seem on the brink of success, for the fish as well as in Alfred and Harriet’s personal lives, they are forced to overcome even greater odds than they first imagined as everything they’ve spwaned professionally and personally gets washed away (metaphorically and literally). As he’s done with previous films like Chocolat and Dear John, Hallström finds ways to keep hope alive even when all seems lost. Though it’s not a Hollywood happy ending for everyone, Salmon Fishing offers a believable look at overcoming life’s obstacles, no matter how impossible they might seem.

Salmon Fishin in the Yemen. Directed by Lasse Hallström. Starring Emily Blunt, Ewan McGregor, Kristin Scott Thomas and Amr Waked. Rated PG-13. www.fishingintheyemen.com.

“The Hunger Games” borrows heavily from other stories to satisfy sci-fi appetites

Sometimes new pop culture trends slip right by while I’m busy watching wrestling and stuff. Such is the case with The Hunger Games, the new film based on the first book in a trilogy of novels by Suzanne Collins.

Katniss (Jennifer Lawrence) takes aim in “The Hunger Games.” Photo by Murray Close

Apparently these books appeal to the same tween audience as the Harry Potter and Twilight books, both of which also became pop culture phenomenons before I had even figured out what they were about (I still haven’t had a chance to see any of the Twilight movies). But I’m actually glad I didn’t know that before seeing The Hunger Games because I saw similarities to various other stories playing out on the screen.

Set in a dystopian America segregated into 12 concentration camp-like districts, the titular games are a perverse way for The Capitol (the movie’s Orwellian governing group, which employs elaborate costumes and grooming to further elevate itself from the commoners) to entertain itself while maintaining control over the populous. It’s basically the same concept as 1987’s The Running Man and 1975’s Death Race 2000, only instead of using convicts in this kill-or-be-killed cross between a game show and reality TV, a male and female between the ages of 12 and 18 is chosen from each district to “play.”

Contestants are then placed in a wilderness setting where they have to first obtain their chosen weapons, then fend for themselves when it comes to food and survival. The only way to win this Darwinian game is to be the sole survivor. Katniss (Jennifer Lawrence), who has been the lynchpin for her family since her father died a few years earlier, volunteers to represent her district after the Mad Hatter-esque Elizabeth Banks announces that Katniss’ younger sister has been chosen. She’s paired with Peeta (Josh Hutcherson), which causes a bit of tension from the beginning since Katniss is leaving her sort-of boyfriend (Liam Hemsworth) behind.

Starting with the elaborate opening ceremonies and carrying over into the absurdly posh talk show segments that precede the games, Peeta makes his feelings for Katniss known, but it’s not clear if he is being sincere or if he is just trying to keep the show interesting. Either way, the two must soon fend for themselves against those chosen from the other districts, as well as the Big Brother-like overseers who are able to do things like insert giant pitbull-like creatures into the vaguely Matrix-like setting in order to keep the world watching.

Effie Trinket (Elizabeth Banks) announces Katniss’ admission to the Games. Photo by Murray Close

The Hunger Games does a great job of displaying the brutality that can come when people (especially adolescents) are placed in such cut-throat conditions. Alphas take charge, alliances form and boundaries are created as each teen fights for survival, or for the glory that comes with winning the game. Under the surprisingly astute guidance of Haymitch Abernathy (a drunkenly flamboyant Woody Harrelson) and stylist Cinna (Lenny Kravitz), Katniss refuses to play by the rules, which does not please The Capitol (especially after it has assisted her a couple of times by sending a magical salve that makes people heal as fast a Wolverine).

From what I understand, this is all eerily reminiscent of the 1999 Japanese novel Battle Royale. Like Harry Potter and Twilight, that’s another book/film I have yet to experience. Though I can’t attest to its similarities to these stories, I can say that The Hunger Games does borrow heavily from the aforementioned The Running Man and Death Race 2000, as well as 1984, Brave New World, Mad Max and, to a lesser degree, Romeo and Juliet, both thematically and visually. So regardless of its inspirations, The Hunger Games is more than just a showcase of pretty people (though that is definitely part of its appeal). And it’s sure to appeal to teenagers crushing over the film’s young stars as well as sci-fi fans who like a bit of substance with their futuristic stories.

The Hunger Games. Directed by Gary Ross. Starring Jennifer Lawrence, Josh Hutcherson, Woody Harrelson and Elizabeth Banks. Rated PG-13. www.thehungergamesmovie.com.

Daniel Bryan defends the WWE World Heavyweight Championship against Sheamus in his first WrestleMania match

Whether you like him for being an underdog champion or hate him for stooping to such tactics as putting his diminutive girlfriend AJ in harm’s way in order to keep his title, you have to respect the fact that Daniel Bryan has overcome a lot of obstacles on his way to his current World Heavyweight Championship reign in WWE. From wrestling around the world as a top indie contender to his tumultuous relationship with his NXT mentor The Miz to overcoming giants like Mark Henry and the Big Show to retain his title, Bryan has been a bit of an indie hero since entering WWE’s ranks. In a somewhat odd twist of fate, he finds himself in one of WrestleMania XXVIII‘s main events defending that title against Sheamus, the same man he faced in the WrestleMania XXVII dark match for the United States Championship last year. As the man previously known as Bryan Danielson gets closer and closer to the biggest match of his career to date, he talks to Wrestling with Pop Culture about his rise from indie wrestling obscurity to World Heavyweight Championship gold. If you’d rather listen to the interview, check out the March 21 edition of Ringside Rap.

Courtesy WWE

Last year at WrestleMania you were the United States Champion in what was basically a dark match against Sheamus that devolved into a battle royal. How does it feel to be going into this year’s WrestleMania holding the World Heavyweight Championship in one of the main events against the same opponent?

It feels really vindicating that both me and Sheamus for the past year have really stepped up our games to be at the point we’re at now, to be in a World Heavyweight Championship match at WrestleMania. Last year was such a bitter disappointment that we weren’t on the actual main show because I really felt that, if we had been given the opportunity, we really could have done something to steal the show. This year that’s what we intend on doing. I absolutely intend on, for my first WrestleMania match, to go out there and steal the show.

 

I didn’t even think about the fact that it will be your first WrestleMania match.

Yep.

I talked to you briefly last year at the WrestleMania Art Auction when you were still the U.S. Champion and I remember asking you if you thought holding that title was a stepping stone towards bigger opportunities in WWE. You’ve obviously had bigger opportunities since then and you’ve overcome some big obstacles as the World Heavyweight Champion. As you return to Atlanta for Raw less than week before WrestleMania, do you know what your role on that show will be?

You never know what’s going to happen at Raw. You literally never know. You show up having no idea what’s going to happen or what you’re going to do. But I can only assume it’s going to be a huge show and there will be big plans for everybody because that is the last Raw before we head into ‘Mania. That’s always one of the most exciting, unpredictable shows of the year.

Like I said, you’ve overcome some big obstacles as champion, but Sheamus is a little different opponent than the Big Show or Mark Henry. How are you preparing for him at WrestleMania?

I prepare for him the same way I prepare for everybody. I keep doing my grappling, my kickboxing and all that kind of stuff. The thing with Sheamus is he’s tough to keep down, he keeps coming at you and he hits very, very hard. But he’s also kind of an idiot. So if you can goad him into doing something stupid, he’s bound to do something like that if you can take advantage. I wrestled him on SmackDown six weeks ago and I goaded him into doing something stupid. You can just get away with things like that with people like Sheamus.

Courtesy WWE

A lot of people said last year’s WrestleMania was a changing of the guard because a lot of the matches featured veterans facing younger guys. But this year, your match included, WrestleMania is relying on the vets to carry the card. You’ve only been in WWE for a few years, but overall you have a lot more experience as a wrestler than a lot of the other people. How do you feel about this year’s card and your spot on the card?

It’s definitely an exciting card, but I’m ultimately a little disappointed that it isn’t trying to establish new stars more. Hell in the Cell is going to be awesome with Triple H and the Undertaker. Rock and Cena is going to be an amazing atmosphere. But come April 2, those guys aren’t going to be on the road full time. Those aren’t going to be going on the European tour with us. Those guys aren’t going to be doing all that kind of stuff. This is really the biggest WrestleMania of all time, so for them to be more highlighted than some of the younger guys who are going to be continuing on the wrestling tour, it’s kind of unfortunate. I would have liked to have seen Undertaker wrestle somebody from my generation. That would have been cool to see somebody from my generation to take on the Undertaker and potentially beat him. That said, this year’s WrestleMania card is stacked. It’s just going to be an awesome show, but from a performer’s standpoint I wish there were more younger guys getting opportunities.

On the same token, you and CM Punk have become these unlikely indie heroes as the two main champions in WWE over the past few months. A lot of people thought that you especially would not still be champion by the time WrestleMania came around. From that perspective, how do you feel about guys who aren’t necessarily new, but are still somewhat new to WWE, getting a bigger spot?

It’s interesting because CM Punk has been with WWE since 2005 and came up on TV in 2007. He’s been in some big matches and he’s been in some big WrestleMania matches. So this isn’t his first rodeo. He has earned his spot being in the WWE Championship match. For me, it’s honestly been a dream come true. I honestly did not think after WrestleMania last year that I would be anywhere near the position I’m in this year. It’s one of those things where it’s a real true blessing and I feel very fortunate to be in this spot. There are a lot of guys who haven’t gotten that opportunity, so it’s interesting. Me and CM Punk wrestled each other in front of about 35 people in a 45-minute match in 2005. The two current top WWE champions – the WWE Champion and the World Heavyweight Champion – seven years ago wrestled in front of 35 people against each other. To me that’s just incredible that now we’re going to be on the same show as the champions wrestling in front of close to 80,000 people.

Ring of Honor recently released a best-of DVD, Bryan Danielson: The American Dragon, that features a match between you and Punk, among a lot of other matches. What did you think about Ring of Honor showcasing your career prior to going to WWE?

I think that’s awesome. They actually sent me a link to it and the matches that are on there and everything and I thought, “Oh, OK. That would be kind of like the best matches I had in my Ring of Honor career.” It wasn’t. It was just the best matches I had up until 2005. So they must be planning on releasing another one, too. There’s another huge gap of matches that weren’t on there that should be on another one. I think it’s cool and I think it’s important that they capitalize on my success and CM Punk’s success because you need places like Ring of Honor to develop the new stars. Me and Punk are as good as we are because we honed our craft in Ring of Honor in front of those hardcore fans who wouldn’t accept anything less than our best efforts. You need a place like that for new stars to come from.

I look forward, when I watch the Ring of Honor shows, to see who’s going to be next to come up to WWE. Right now under developmental contract is Seth Rollins, who wrestled in Ring of Honor as Tyler Black. He did amazing last weekend. He came up to the live events and did a dark match on Monday and everybody was like, “Wow! This guy’s really good.” That’s something I knew from the beginning, but he needed that opportunity to showcase it.

Since you keep talking about giving younger guys a chance, assuming you’re still the champion after WrestleMania, and with the recent influx of Ring of Honor and other big indie guys in Florida Championship Wrestling, is there anyone on the current WWE roster or in FCW that you’d like to have a shot at your title?

It’s funny because I talked about giving younger guys an opportunity, but deep down there are still guys that I’m a fan of. These are the guys that when I was growing up I watched and thought were amazing. I would love to be in a program where I was wrestling Chris Jericho for the World Heavyweight Championship. That doesn’t seem likely, but that would be so much fun. I’d love to be able to wrestle the Undertaker. The Undertaker appeared on WWE TV when I was, like, ten years old. Being able to wrestle him for the World Heavyweight Championship would be awesome. Or guys like Triple H and all that kind of stuff. All of that would be amazing, but I would love for Seth Rollins, for Dean Ambrose, who wrestled in the indies as Jon Moxley, Antonio Cesaro, who was in Ring of Honor as Claudio Castagnoli, I would love for those guys to come up shortly after WrestleMania and give them opportunities for the World Heavyweight Championship for people to see what those guys can do. They’re really incredible.

Of course Chris Hero, now known as Kassius Ohno, seems to have made a nice debut in FCW recently.

I haven’t seen his debut, but I can’t wait to see it. I’m going to try to find it on YouTube.

For more information, go to www.wwe.com.

Cody Rhodes readies himself for the Big Show at WrestleMania

At WrestleMania XXVII, Cody Rhodes had one of the best matches of his career in front of his home-state audience against one of WWE‘s smallest competitors, Rey Mysterio. This year, Rhodes goes into WrestleMania XXVIII in Miami as the Intercontinental Champion to face a man billed as “The World’s Largest Athlete,” the Big Show. Friction has been building between Rhodes and the Big Show since Show eliminated Rhodes from the Royal Rumble in January. But over the past few weeks, Rhodes has been determined to embarrass Show by pointing out his lackluster showings in previous WrestleManias, while continuing his campaign to restore the Intercontinental title to the prestige it once held. Before he takes on the biggest challenge of his career, Rhodes talks to Wrestling with Pop Culture about the Big Show, Goldust and returning to Atlanta for the final Raw before WrestleMania. You can also hear the full interview on the March 19 edition of Georgia Wrestling Now.

Last year WrestleMania was in Atlanta, your proverbial back yard. This year it’s in Miami, but the last Raw before WrestleMania will be in Atlanta. What do you have planned for that show?

With WrestleMania on the horizon and a one-on-one contest with the Big Show – last year it was with the smallest guy, this time it’s with the biggest guy – I’m sure I’ll be doing my damnedest to get under the Big Show’s skin. I’m a firm believer in what I’ve said about him. The Big Show is one of WWE’s top performers, but his WrestleMania moments haven’t exactly been immortal moments.

I definitely think you’ve gotten the best of him so far by showing him at the WWE restaurant and all that kind of stuff.

That’s the best one. Yeah.

Courtesy WWE

I guess a big question for me is, why did you choose the Big Show? Your brother Goldust was doing a Twitter campaign to face you at WrestleMania for the Intercontinental title, so why did you choose to go after the Big Show?

I’d love to work with Goldust. I’d love to stand across the ring from him and find out more about my brother. But it just happened to be that the Intercontinental title is very much in need of its moment at WrestleMania. I set out to bring it back to where it was, and I don’t actually know if I’ve done that. But I know going against one of WWE’s top names perhaps of all time, the Big Show, puts it in a position for me to maybe do that. That’s why I shifted to myself and the Big Show. If I knock off one top guy after another, the Big Show is on that list.

I don’t recall the Big Show having ever held that title before, but I know Goldust has held it and is considered by some to be one of the best Intercontinental Champions of the past few decades.

That’s actually the one title Show has not held. When I heard that I was a bit in disbelief. As far as things are concerned with Goldust, I wouldn’t count out me and him ever competing against one another. Certainly I can see that down the road. He’s had some shoulder problems and safety is a number one concern. I’d love to remain the Intercontinental Champion after WrestleMania and I’d love to follow up on all these things he’s brought down on me on Twitter and get in the ring with him, certainly.

Like you said earlier, last year your WrestleMania opponent was one of the smallest guys (Mysterio) and this year it’s the biggest guy. You’re not necessarily one of the bigger guys on the roster, so what are you doing to prepare for a match with somebody the size of the Big Show?

Well honestly, I’m not one of the bigger guys on the roster, but if you really take a look at the roster, I’m actually pretty close to one of the bigger guys on the roster. I’m not as tall as Randy [Orton], but I weigh about the same. I actually will say that I was concerned with the Big Show. I’m looking at him and I think he’s 400 pounds. If I’m going to be in the ring with him, I want to be as big as I can be. One of the things I’ve started implementing is high volume workouts, which is lots of sets, lots of reps, high carb, high fat, high protein, low sugar. So I’ve actually got a nice little diet written out for this thing. I didn’t want to show up too small.

I’m trying to remember now, have you ever faced the Big Show one-on-one?

No. I have yet to compete one-on-one against the Big Show. I’ve had tag matches and fatal four-ways, and there was an incident where there was an Armani three-piece suit I had worn for a long time and he ripped it to shreds on one of the pay-per-views in 2011. So we’ve had a brief, brief history, but we’ve never actually mixed it up on a fair one-on-one scale.

Last time I talked to you, you pointed out that WrestleMania XXVII was a changing of the guard of sorts with a lot of the more established guys facing a lot of the younger guys. This year’s card seems to be relying heavily on the more established guys, and in your match in particular the Big Show has a lot more experience than you do. How do you think your match stacks up against the rest of the card?

I think you don’t really know until WrestleMania is said and done and in the books what matches really captivated you. There are matches that are positioned to really captivate you: The Rock/Cena, Triple H/the Undertaker. Those guys, a hundred percent of the time, deliver. But that’s the beauty of WrestleMania. I feel it stacks up very well and I feel that there’s a lot of people that for a long time wanted to see the Intercontinental title genuinely defended on WrestleMania. Prior to the WrestleMania in Orlando, which was, I think, a three-minute match with Rey Mysterio and JBL, the title had not been defended on a WrestleMania since X8. For me that’s one of the more important things, so I think it stacks up well.

Another thing we talked about a lot last year was your history in Georgia with your father, Dusty Rhodes. With the Four Horsemen and Ron Simmons being inducted into the Hall of Fame this year – especially the Four Horsemen with your father’s history with them – what is it like to be part of the WrestleMania where those guys are also being inducted into the Hall of Fame?

Every WWE superstar and diva has so many appearances, then WrestleMania is Sunday and the Hall of Fame runs deep into the night usually. Sometimes you look at it and say, “If they could do it on Friday…” But once you’re there, once you’re in the seats and watching the Four Horsemen being inducted into the Hall of Fame, Ron Simmons being inducted, Mil Mascaras being inducted into the Hall of Fame, that’s motivating, I don’t care how late it goes into the night, just to see those little clips that our team put together of the Four Horsemen. That’s the best thing that can happen at WrestleMania, and it’s extremely motivating.

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“21 Jump Street” puts a Hill-arious spin on teen cop show

It’s inevitable that a lot of people are going to hate this new 21 Jump Street movie simply because it’s such a departure from the late ’80s/early ’90s TV show on which it is based. And I’ll admit I went into it with somewhat low expectations for that very same reason. But to my surprise and delight, 21 Jump Street is hilariously clever and entertaining, with enough nods to the original series to keep at least some fans happy.

Of course with Jonah Hill starring, you know it’s going to be amusing. But one of the major complaints about this take on 21 Jump Street is that, unlike the TV show, it’s a comedy. But the fact that the movie openly acknowledges that it is rehashing an old idea and cashing in on an established franchise is exactly what makes it work. It’s not a remake, but a sequel, with former high school nerd Morton Schmidt (Hill) and his hunkier counterpart Greg Jenko (Channing Tatum) reluctantly teaming up while training to become cops. After they prove to be incompetent officers, even as bicycle cops patrolling a park, the duo is reassigned to the secret Jump Street project, which still operates out of the abandoned church from the TV show.

Under the guidance of Ice Cube, who plays a stereotypically angry black police captain who, again, openly acknowledges that he is filling such a stereotypical role for comedic effect, Schmidt and Jenko are sent back to high school to find out who is dealing a lethal new drug called HFS (which stands for “Holy fucking shit” thanks to the hilariously hallucinogenic effect it has on the high schoolers consuming it). But a lot has changed since Schmidt and Jenko last walked high school halls, and a bit of role reversal takes place thanks to the fact that tree huggers, homosexuals and academic achievers are now the cool crowd and dumb jocks no longer rule the popularity hierarchy.

It doesn’t take long for both of them (especially Schmidt) to get sucked back into the high school life and try to catch up the things they might have missed out on the first time around. As a result, the bumbling duo continues to screw up, eventually getting them expelled and making Capt. Cube angry enough to kick them off the case. Continuing to follow in the cop caper formula, it’s after they are kicked off the force that they start to get big breaks in the case, giving them an opportunity to redeem themselves and prove that they can become good cops. But not without a few more mishaps, some silly self discovery and a couple of clever cameos that tie everything back in to the 21 Jump Street of old.

21 Jump Street is clearly not what fans of the TV show might be wanting or expecting. But since that would have been a difficult undertaking in itself, the film ultimately benefits from putting its own comical spin on things while simultaneously acknowledging its original audience.

21 Jump Street. Directed by Phil Lord and Chris Miller. Starring Jonah Hill, Channing Tatum, Ice Cube, Brie Larson, Dave Franco and Rob Riggle. Rated R. www.21jumpstreet-movie.com.