Author Archives: Jonathan Williams

Rob Zombie’s “Mondo Sex Head” reanimates songs from his entire catalog

Whether he’s making movies or music, Rob Zombie has never shied away from the fact that he borrows heavily from the art that inspired his own creativity. From his own visceral take on the Halloween film franchise to remix albums and EPs such as 1992’s Nightcrawlers: The KMFDM Remixes, 1996’s Supersexy Swingin’ Sounds and 1999’s American Made Music to Strip By that let DJs, industrial bands and electronica acts give their own take on his solo work and White Zombie catalogue, reinvention is something Zombie has celebrated for most of his career. And with Mondo Sex Head, Zombie revisits that idea as a variety of today’s DJs and electro acts give new life to songs dating as far back as the ’90s.

The first single, “Thunderkiss ’65 (J Devil Number of the Beast Remix),” is also the debut release by J Devil, the dark dubstep project of Korn‘s Jonathan Davis. Unlike many of the songs on Mondo Sex Head, which stray so far from the original songs that they can hardly be considered remixes so much as entirely new songs, J Devil’s “Thunderkiss ’65” reawakens the original track with heavy electro charges. If J Devil’s sound is too dubstep for your tastes, then you’ll hate Document One’s take on “Let It All Bleed Out,” which features snippets of Zombie’s vocals and John 5’s guitar alongside lots of warble and deep bass. And Davis isn’t the only rocker-turned-DJ to reinterpret a Zombie song  as Chino Moreno’s home away from the Deftones ††† (pronounced “Crosses”) gives “Dragula” a darkly chilled-out vibe.

Aside from the J Devil and Document One tracks, Mondo Sex Head eschews dupstep’s current popularity for a variety of other electronica genres. Zombie seems to have a particular penchant for Ki:Theory, who seems to have his own penchant for Zombie’s more dementedly sexy songs given his remix choices: “Foxy Foxy” and “Pussy Liquor.” Photek takes “Living Dead Girl” to a cerebrally chilled-out place that she’s probably never visited before. And Big Black Delta‘s “More Human Than Human” is more Big Black Delta than White Zombie.

All that is to be expected when it comes to remix projects, so I’m not complaining about Zombie’s willingness to showcase other artists while also reminding listeners of his previous output. But it’s not until Das Kapital’s take on “Lords of Salem” that it actually starts to sound like a Rob Zombie remix project rather than a collection of songs that sample Zombie’s work. Kapital’s cut-and-paste onslaught gives way to Drumcorps‘ aggressively glitchy groove on “Never Gonna Stop.” Kraddy‘s dark-and-dirty sound further complements “Superbeast” while the Bloody Beetroots make “Burn” a raging party anthem. The deconstruction of “Devil’s Hole Girls” by Swedish composer Tobias Enhus is appropriately cinematic, especially with the addition of the Jane Antonia Cornish String Quarter. And the more industrial take on “Mars Needs Women” by producer Griffin Boice brings Mondo Sex Head back down to Earth for an appropriately settling conclusion.

For more information, go to www.robzombie.com.

Georgia Wrestling Now welcomes Chris Dickinson and says goodbye to dany only

Over the past few months, dany only (alongside Wrestling with Pop Culture and Team All You Can Eat’s Matt Hankins) has made Georgia Wrestling Now infinitely more interesting. But after a series of brutal losses at NWA Anarchy, EMPIRE Wrestling and Platinum Championship Wrestling, only has decided to take some time away from the ring to reconsider his future.  For only’s final episode of GWN, his cohort from Beyond Wrestling, Chris Dickinson, joined us to talk about his work in Northeastern promotions such as Absolute Intense Wrestling and Jersey All Pro Wrestling. Wrestling with Pop Culture also discussed the recent changes at  Pro Wrestling Resurrection (formerly known as The New Tradition Pro Wrestling) with PWR co-owner Jen Holbrook Sells. We also had a few surpise guests for only’s farewell, including his Hate Junkies tag team partner Stryknyn, his rival The Jagged Edge and more. And, appropriately enough for a man known as “The Human Hand Grenade,” only got a few things off his chest before his final farewell for the foreseeable future.

"The Human Hand Grenade" dany only, seen here just before his dog collar match against The Jagged Edge, says farewell to Georgia Wrestling Now (photo by Harold Jay Taylor)

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Fantasy becomes romantic comedy reality in “Ruby Sparks”

Writer’s block can be a tough obstacle to overcome, especially when you’re also lacking a muse for inspiration. But such is the case with Calvin (Paul Dano), a modern-day J.D. Salinger who was catapulted to the top of the literary world after dropping out of high school and writing one of America’s most celebrated contemporary novels. Now celebrating the tenth anniversary edition of his acclaimed book, Calvin feels ever increasing pressure from his friends, family, agent and publisher to break out of his reclusive spell and write another book.

Calvin (Paul Dano) hides from the product of his imagination in "Ruby Sparks" (photo by Merrick Morton)

Then Calvin suddenly starts having dreams about a cute redhead whose irresponsibility and character flaws make her all the more adorable. He begins putting these endearing qualities to paper and before long he realizes he’s falling for this imaginary girl. But when he wakes up one day to find the girl of his dreams in his kitchen cooking him breakfast, he thinks he has finally gone mad. Previously convincing himself that the mysterious appearance of women’s undergarments and other strange items have been the result of his dog digging through the neighbor’s garbage is one thing. But when there’s a living, breathing fictional character standing in front of you as if everything you’ve written about her has actually happened, that’s a little harder to explain.

But there she is. Ruby Sparx (Zoe Kazan, who also wrote the screenplay), the somewhat wild-spirited painter who sometimes forgets to open her mail. The girl Calvin’s brother (Chris Messina) says sounds unbelievable on paper, but who is unbelievably real when she is cooking him dinner a few days later. Once Calvin gets over the initial shock of his situation, he then struggles with how to handle such power. His brother suggests he have as much fun as possible with the scenario, pointing out that Calvin could make her boobs bigger. But Calvin takes the ethical route and decides to stop writing about Ruby.

Calvin (Paul Dano) and Ruby (Zoe Kazan) have a very real relationship moment in "Ruby Sparks" (photo by Merrick Morton)

As Spider-Man has taught us, with great power comes great responsibility. And when Calvin’s relationship with Ruby progresses into the inevitable stages of her needing more space and wanting to be independent, Calvin can’t help but “fix” the situation with a few quick clicks of his typewriter. But just like any real relationship with a real person, working through such times is never as simple as he’d like it to be. And even with the ability to change Ruby’s actions and personality traits, she is still human, which means she still sometimes has inexplicable mood swings, can be desperately needy and might just strip down to her underwear at a friend’s party.

In much the same way that Eternal Sunshine of the Spotless Mind (and, to a lesser degree, Total Recallillustrated the philosophical struggles that come with the ability to pick and choose things such as human emotions, damaged egos and the natural progression of relationships (even under such unnatural circumstances), Ruby Sparks takes a similarly humorous look at the complicated subjects of human interaction and companionship. Like most any relationship, there are some fun times, some dark times and some mundane times. And even with the literal luxury of starting over, erasing the past or creating a new future, Calvin realizes certain things are inevitable and life often comes full circle.

Ruby Sparks. Directed by Jonathan Dayton and Valerie Faris. Starring Paul Dano and Zoe Kazan. Rated R. www.makerubyreal.com.