Author Archives: Jonathan Williams

A “Gayby” is born in independent romantic comedy

It is not uncommon for two longtime friends to simultaneously come to the early-midlife conclusion that their biological clocks may be winding down. For those who have reached their 30s without settling on a husband, wife or long-term partner, the idea of conceiving a child together despite the lack of physical attraction becomes more and more appealing as time goes on. Such an idea was the basis for Friends with Kids earlier this year (read Flash Gorem’s review here), but the concept gets thrown for another loop in Gayby. Making its Georgia premiere on the opening night of Atlanta’s Out on Film festival this Thursday, Gayby is based on Jonathan Lisecki’s four-year-old short film about Jenn (Jenn Harris), a single New York City yoga instructor ready for motherhood, and her gay friend Matt (Matthew Wilkas), who works in a comic book store and is still trying to get over his last boyfriend, and their decision to procreate. After premiering at South by Southwest earlier this year, Gayby has screened in numerous festivals and sees its theatrical release in New York on Oct. 12 and in Los Angeles on Oct. 26, followed by a Video on Demand and DVD release in December. As he prepares to show his Gayby off in Atlanta, writer/director Lisecki (who also plays Nelson in the film) talks to Wrestling with Pop Culture about its conception.

When did you decide to expand your short film into a full-length feature?

Writer/director Jonathan Lisecki (right) plays Nelson in "Gayby"

It played around at all these festivals, so I got to see it with a bunch of different audiences all over the country and outside of the country. So I knew it had some universal appeal and people always really responded to it and loved Jenn and Matt. A little more than a year ago, I was at a festival and the two women who wound up producing the film [Secretary‘s Amy Hobby and Lipstick & Dynamite‘s Anne Hubbell] were there with me. They were like, “When are you going to make a feature of Gayby?” I was like, “I don’t know. Are you going to help me if I make it?” And they said, “Yeah, if you write one!” Once I knew that I would have people to help me, I wrote the script last May and we were shooting by August. It was kind of a quick decision.

Even though Matt is gay, he’s not stereotypically gay and it’s easy to relate with him regardless of your sexuality. He works at a comic book store and is just a regular guy who happens to be gay. Was it your intention to make him somewhat universally relatable like that?

I knew we were going to have multiple gay characters, so we should have different aspects of that life portrayed. And I know people like Matt. I just thought it would be interesting if we saw a gay character who wasn’t quick to hop in the sack with other people, who worked in a different kind of job than we usually see, who was a little bit more shy. It all just seemed right for what I wanted to say with the movie.

I didn’t want to get too much into this, “He doesn’t act gay, so he’s not a gay stereotype” thing. In the past ten years or so, it’s swung to the reverse. There are more campy characters on television, but there are also these guys who are so butch that you’d never know they were gay. Either way it can be a stereotype, it just depends on how human you write the characters. People are quick to say a certain type of person is a stereotype, but is that really true? There are people who are like every single person in my film in real life. I think you can write any type of person and as long as you treat them with honesty and intelligence, that’s how you avoid that beginning to feel like a stereotype.

At a certain point in the movie it becomes questionable if Matt is actually the father of Jenn’s baby, which creates some tension between him and Jenn. But it’s never actually revealed if he is or is not the father.

One of many awkward moments that arises between Jenn (second from left) and Matt (right) in "Gayby"

No, it’s not. That’s not really the point. The point is they’re creating this family that’s based on a bond that isn’t specifically genetic. I thought there was no real reason to answer that question. There’s also a personal aspect to that from my life where there’s a question I never had answered that I’m fine with not knowing the answer to. To wrap every single thing up in a bow sometimes feels not real, so I just wanted to leave that open ended.

Gayby was selected to screen at Out on Film on opening night, which is a pretty big deal, right?

To the festivals it is. I think they choose the movies they like to debut opening night and closing night. For a filmmaker, it’s always lovely to be at the opening night movie screenings. It just makes it feel a little more special and it’s nice. But there’s something special about sharing a movie with an audience no matter where it’s played. I guess there’s a little bit of a bonus to be played first. It just means the people who program the festival really like your movie and want to showcase it a little.

www.gaybyfilm.com

Georgia Wrestling Now welcomes Stephen Platinum, Matt “Sex” Sells and Jacob Ashworth

Following our live broadcast from Sacred Ground: Chapter Three, Georgia Wrestling Now is back at it’s regular Monday night time slot. Our broadcast time expired before Sacred Ground was over, so Team All You Can Eat’s Matt Hankins and Wrestling with Pop Culture‘s Jonathan Williams catch listeners up on the last two matches, and the fate of Platinum Championship Wrestling. We also hear from Stephen Platinum and Matt “Sex” Sells. Other topics of discussion include Chikara‘s Deep Freeze at the ProSouth Arena on Oct. 6 and Zodiac Crimes at the New Mid-Atlantic Sportatorium on Oct. 7. We also hear from Pro Wrestling Resurrection Heavyweight Championship contender Jacob Ashworth. We also have a pair of tickets to Atlanta Zombie Apocalypse to give away! The first person to comment below with the answer to the follow question wins a pair of tickets for Friday, Oct. 5. Which wrestling promotion debuted at AZA last October?

Jacob Ashworth is making a name for himself in Pro Wrestling Resurrection, Anarchy Wrestling, Platinum Championship Wrestling and elsewhere (photo by Harold Jay Taylor/Headlocks and Headshots)

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Georgia Wrestling Now broadcasts live from PCW’s Sacred Ground: Chapter Three

Georgia Wrestling Now, with Wrestling with Pop Culture‘s Jonathan Williams, Team All You Can Eat’s Matt Hankins and Georgia Wrestling History‘s Larry Goodman, does a special broadcast live from Platinum Championship Wrestling’s Sacred Ground: Chapter Three on Sept. 29. Our broadcast begins during the first match, so whether you were there or want to try to find out what you missed, listen here. This show was our first attempt at broadcasting live from a wrestling event, so please excuse the audio issues and other mishaps. And if Matt and my self-indulgent attempt at being wrestling commentators is unbearable, you can just read Larry Goodman’s Sacred Ground review.

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John 5 shreds with Rob Zombie on the Twins of Evil tour

Though he received his first big jolt of recognition when he became Marilyn Manson‘s guitarist in 1998, for the past seven years John 5‘s shredding skills have been utilized as part of Rob Zombie‘s band. So when Manson and Zombie take to the stage tonight at the Desert Uprising festival in Phoenix for the first night of the Twins of Evil tour, it will be especially exciting for 5 given his history with both bands. Having released his latest solo CD God Told Me To a few months ago, 5 also contributed some guitar work for Zombie’s recent remix album Mondo Sex Head. Before taking the stage for the Twins of Evil tour, 5 talks to Wrestling with Pop Culture about the tour, the next Zombie album and other upcoming projects.

Rob Zombie’s recent remix CD featured some of his older material remixed by several of today’s top DJs and electronic musicians. But you also contributed some guitar work to the album. Which songs did you work on?

John 5 (left) is part of the gruesome twosome on the Twins of Evil tour (photo by Rick Fagan)

That’s right. There’s a lot going on right now. The remix CD just came out, we just finished up the new Zombie record, we’re doing the The Lords of Salem movie and the Twins of Evil tour is starting. A couple of DJs got a hold of me and said, “Hey, would you mind putting this, that and the other thing on there?” And I said, “Absolutely. It’ll be fun.” And for Jonathan Davis’ J Devil remix I did a little work and it came out really great. I love that album. It was a lot of fun and it’s cool to hear the songs remixed that way. I did some stuff on “Thunder Kiss” and “Superbeast.”

You mentioned the new Rob Zombie record. What can you say about that at this point?

I’m not sure when it comes out, but I just listened to the whole record and it is an aggressive, in-your-face record. I’ve been a fan of White Zombie and Rob Zombie since long before I was in the band, and from a fan’s outlook when listening to this record I hear a lot of the live, raw aggressiveness of White Zombie. A lot of artists say, “This is our best record and blah blah blah blah blah,” but I really am super excited about this and I think people are really going to enjoy it. It’s still very early and Rob is definitely going to come up with something great for the title of the record. These are really great songs and people are going to dig it. I’m looking forward to playing these songs live.

This will be your first record since your former Marilyn Manson bandmate Ginger Fish joined Zombie’s band. How involved was he in the recording process?

I’ve known Ginger forever and when we go in to record, I bring guitars and some pedals and this and that. Ginger came to the studio, I swear to God, with a semi full of drums and mics. I thought he was moving in or something. It was crazy all the stuff he brought. I was like, “What is going on here? He’s just playing drums!” But he’s great and he did a phenomenal job. That’s another great thing about the record is that it’s so alive with his crazy energy.

It’s been a few years since you and Ginger played in the same band together. What has it been like playing with him again?

John 5 (right) is a musical and visual presence in Rob Zombie's band (photo by Rick Fagan)

I always kept in touch with Ginger, so it’s been like jamming with an old friend. It worked before and it just seemed to fit perfect. I told Rob that Ginger would be perfect because I had played with him before, he’s loyal and he’s a great drummer. And it’s been working perfect. He’s been in the band for a little while, we’ve done a few tours with him and now we’ve done a record with him. It really is a perfect fit. Now we’re doing this tour together and it’s really going to be a lot of fun. It’s going to be a huge show and what better thing to do around Halloween time than go see Marilyn Manson and Rob Zombie?

That’s a pairing a lot of people have been wanting to see since the late ’90s. But now with the added dynamic of yours and Ginger’s history with both bands just makes it that much more interesting.

It’s going to be exciting, to say the least. A lot of people are going to really enjoy it and it’s such a perfect time of year for it.

Both bands are known for putting on huge stage shows. Have the two bands been communicating about coordinating their shows or will there be a bit of one-upsmanship going on during the tour?

The only thing I’m sure of is Rob Zombie has always had such a massive show, but this tour is going to be even bigger. Our show is going to be so big and mammoth that people are going to be holding their heads and saying, “I can’t believe what I just saw.”

You also mentioned the The Lords of Salem movie. Are you involved with that in some way?

Yeah, I did the music score for the movie. It was a challenge to score a movie, especially a Rob Zombie movie. I used a lot of weird things to create the sounds like violin bows, banging on the guitar, quarters on the strings and all sorts of weird instruments. I’m really proud of how this music came out. It was one of the most challenging things I’ve done in a long time.

Was Zombie involved in the recording process at all?

John 5 (second from right) and Ginger Fish (right) reunite in more than one way on the Twins of Evil tour (photo by Rick Fagan)

Rob was actually directing, editing and talking to me about the score. We did a couple of pieces together and the guy’s a genius. I sit back and think about how he makes hit records and he does these movies, but for my birthday he painted me the Creature from the Black Lagoon. The guy can do everything. The painting is amazing, he does music, movies, but you know what? I can beat him at air hockey. That’s what I can beat him at. We played air hockey at the movie and I beat him, so I’ve got that going for me.

You also released a new solo album a few months ago, which is probably your most ambitious solo effort to date. For those who haven’t heard it, what would you like to say about that album?

I really can’t believe how well it’s doing. People enjoy when I put out this instrumental music because they never know what they’re going to get. They’re kind of like Forrest Gump’s box of chocolates. But with God Told Me To, there’s a DVD that goes with the record and Rob Zombie painted the cover. I’ve gotten a lot of love from that record and I appreciate that. And it really takes you on a journey, that’s for sure.

www.john-5.com

www.robzombie.com

Boobs, blood and the Butcher Babies

What’s not to like about the Butcher Babies? There are boobs, there’s blood, and the band’s brand of horror metal is about as heavy as metal gets. Sure, a majority of the attention is intentionally directed at the blood-spattered and nipple-taped front women (former Playboy TV personality Carla Harvey and statuesque model/actress Heidi Shepherd), but the Butcher Babies are not just about the boobs. Instead, that’s almost like an insidious setup to lure listeners in before the macabre musical onslaught of Harvey, Shepherd, Henry Flury (guitar), Jason Klein (bass) and Chrissy Warner (drums) shrieks and shreds your ears into submission. Though they admittedly revel in the shock value of it all, there’s a little bit more to the band’s songs of serial killing and torture tactics. The video for “Mr. Slowdeath” from the band’s self-titled (huh huh, I said “tit”) EP plays out like a mini horror film, and the Harvey-penned Butcher Babies comic book further’s the band’s creepy concept. Just off Otep‘s Destroy to Create Tour with One-Eyed Doll and Arcanium, the Butcher Babies return to their Sunset Strip slaying grounds tonight for a show with Fozzy and Picture Me Broken at The Roxy Theatre tonight. Then the band heads out on a West Coast tour in November with Gemini Syndrome and Dr. Acula. In the meantime, here’s a recent interview Wrestling with Pop Culture did with the Butcher Babies.

Carla and Heidi met while working for Playboy TV, and the rest of you guys have played in bands like Amen and Scars of Tomorrow. But how did the five of you come together to create the Butcher Babies?

Shepherd: Carla and I played in a punk/metal cover band years ago, and Chris actually used to come to those shows, and Henry had gone to a couple, too. But we all didn’t know each other. Carla and I quit that band and wanted to do something heavy and original together. So we took what we liked, which was each other and nipple tape, and formed the band.

Looks like Heidi Shepherd (left) and Carla Harvey (right) need a ride. Would you pick up these hitchhikers?

So it was a pretty organic process of forming the band?

Harvey: It turned out that way, but it wasn’t at first. We went through a lot of band members at first and we just couldn’t find the right core group of guys. But when we just looked in our own backyard and realized they were right there, it got a lot easier.

Warner: I was spying on her!

Shepherd: Yeah, peeping Chris over here. It was interesting because we did go through a couple of members and we just couldn’t find people that had the right vision or that had the same vision as us. Finally, the second we stepped in a room together, it was really apparent that we all had the same exact vision. And it all took off from there.

The band obviously has a strong visual presence. How did the whole blood-and-boobs thing manifest itself?

Harvey: Every band has an identity and we all are fans of horror films. So putting on some blood just added to our show and it felt kind of natural, especially with our music because it’s dark, heavy, groovy thrash metal.

Shepherd: We write about a lot of things that give you nightmares, things that scare you like serial killers, monsters and things like that. So it definitely fits in with that realm. With the nipple tape, Carla and I and the whole band are big fans of Wendy O. Williams. She was the first female to really go balls out – or tits out, if you will – in heavy metal. So we really appreciate that she paved the way for females like Otep and ourselves to really explore everything we wanted to do. So it’s more of an ode to the late Wendy O. Williams.

Klein: Chris has some nipple tape on right now. I haven’t been able to get it to stick. I tried once, but I have too much chest hair.

Harvey: Heidi had that same problem, but we got that taken care of.

Klein: Yeah, she ate up the razor so it wasn’t sharp enough for me to use.

How involved are each of you in writing the songs? Is it more of a band effort or are certain members more involved in coming up with the songs?

Even when not covered in blood, the Butcher Babies are intriguingly menacing

Harvey: We all sit in a room and write together. It’s very important to us that our songs represent each member, so we are very hands on.

Shepherd: Musically and lyrically everyone puts a hand in the cookie jar. So it’s a very collective process where we all feel free and comfortable to get very creative with each other. Every person here is very talented at writing lyrics and music, so why not use them all to their full potential?

Harvey: It also makes everybody, when they’re performing, feel like the song is coming from them. If we had one member writing everything, we’d be up there performing, but not really feeling it.

You have an EP out, but when will there be a full-length album?

Shepherd: We are always writing, but we’re looking to have our full-length out early next year. We definitely have enough songs for it, it’s just about finding which songs we want to really represent ourselves with. The EP took a long time because we’re always evolving and we wanted to really put out something that we felt was 100 percent worthwhile.

Carla, you also have a comic book out. Tell me a little about that.

Harvey: You can get it at Deepcutproductions.net and it adds a bit of mythology to our band. People seem to love it and I get emails every day about how much people like it. I wrote it, so it’s just really fun to see it come to life. We worked with an artist named Anthony Winn, who works for Stan Lee, which is amazing because Heidi and I have gotten to pal around with Stan Lee a little bit.

And you’re working on a novel?

Harvey: Yeah, I’ve written a novel that I hope will be out at the beginning of next year. And I have another comic book coming out. We’re all very creative people. Our main focus is the band, but I’ve loved writing since I was a kid and I’m able to use my band as a platform to get my other material out to people. I’m so thankful for that.

I doubt many people would hesitate at helping Heidi Shepherd (left) and Carla Harvey (right) get cleaned up (photo by the Psyco Boys)

Shepherd: We all have careers besides the Butcher Babies. Butcher Babies is our main squeeze and it’s all of our dream that’s coming true. But we all have other gifts and talents.

Klein: I’m a stripper and that’s kind of paying for our fuel.

Flury: I’m a rodeo clown and that also helps pay for gas.

Shepherd: I’m a Justin Bieber impersonator and I’m really good at looking like a 40-year-old lesbian.

Warner: So those are your other jobs? My other job is riding your mom!

You get paid for that? But back to the book. What’s the novel about?

Harvey: It’s about loneliness and the breakdown of the American family. That’s all I want to say about it right now, but I’ve had a lot of interest in it and I’m really proud of it. I know it sounds funny talking about such serious things when we wear nipple tape on stage.

So what else do you all actually do outside of the band?

Shepherd: I do commercials for television and that’s a lot of fun. I’ve been in television my entire life and I was a radio DJ on morning shows for a long time. Eventually I would like to get back into radio, but Butcher Babies is the center of my attention now.

Flury: I’m a graphic artist.

Warner: Me? What job? This is the only one I’ve got. Drums, baby. That’s my life.

www.butcherbabiesofficial.com

 

“Barricade” offers unsettling holiday horror

Conner Dwelly and Ryan Grantham find holiday horror in "Barricade"

A family dreaming of a white Christmas instead gets a horrific holiday in the chilling new horror mystery Barricade, starring Will & Grace‘s Eric McCormack. Barricade is the latest direct-to-video release from WWE Studios, and it is one of the most gripping horror films the studio has ever put out.

When widower Terrence Shade (McCormack) takes his children (Conner Dwelly and Ryan Grantham) to the mountain cabin their mother had enjoyed as a child, it seems like the perfect way for this fractured family to reconnect while putting some of their grieving behind them. And Terrence has gone out of his way to make it a true escape, stocking the cabin with comfort foods, candy and presents to open on Christmas morning. But not long after the family settles in, the discomfort sets in. Then it gradually turns into full-on terror as it becomes difficult to distinguish reality from nightmare, especially when Terrence has these blackouts after he takes his medication (or is it if he forgets to take it?).

Such questions are part of the intrigue with Barricade. Are there really people (or other creatures) outside the cabin after a blizzard snows the family in? Did several feet of snow really fall in a matter of minutes or did Terrence have another lapse of consciousness? After Terrence barricades the family in, does it actually keep the evil out or is the sinister presence now trapped inside with them? Director Andrew Currie really keeps the viewer guessing, while throwing in some stylistic nods to Alfred Hitchcock, John Carpenter and other masters of macabre that have clearly inspired him.

Terrence Shade (Eric McCormack) confronts his fears in "Barricade"

Barricade also has a slight Japanese horror feel, especially when the children become possessed by the inexplicable energy that permeates the cabin. And the surrealist qualities of many scenes are not all that different from something out of a Michel Gondry or Spike Jonze film. The environments themselves – the lodge with its taxidermy, depressingly retro hues and The Shining-like atmosphere, as well as the cramped tool shed filled with sharp objects and other dangers – give every scene an impending ominousness that only sometimes makes itself apparent.

Once Terrence’s subconscious begins to catch up with his reality (and after the tragedy that the family has suffered is fully explained to the viewer), the horror only becomes worse as it starts to look like maybe the monster was with the family before they even ventured into the mountains. But even then there is still suspicion, and it is never fully apparent who or what has been terrorizing the family all this time. And it’s that not knowing that leaves the viewer with that unsettled feeling that only a good horror film can provide.

For more information, go to www.barricademovie.com.

“¡Uno!” mas pop punk album from Green Day

You’d think it would be hard for Green Day to top it’s last two rock operas, 2004’s American Idiot and 2009’s 21st Century Breakdown. But, nope, the one-time underground punk band looks to top those grandiose efforts with yet another ambitious project, a trilogy of albums and eventual box set) beginning with ¡Uno! (¡Dos! is scheduled to be released in November and ¡Tré! comes out in January).

¡Uno! sees the band returning to the its punk rock roots while also expanding into other sonic realms. But not in the same way it has on the last two albums, which maintained the band’s punchy stylings while venturing into more elaborate structuring reminiscent of The Who and Queen. This time around, Green Day takes a simpler approach that ends up sounding more like Cheap Trick-style pop than the edgier Buzzcocks/Sex Pistols stylings of earlier releases. But Green Day’s music has always been catchy, so it was probably pretty easy to step away from the concept albums and get back to recording fast-paced pop songs (which is probably why the band was able to produce three albums in such a short period of time).

“Nuclear Family” has the sarcasm and staccato of something off the band’s 2000 Warning release while “Let Yourself Go” has an anthemic AC/DC quality. “Kill the DJ” has a touch of Jet/Franz Ferdniand-like garage rock as well as a catchy ’80s dance vibe. “Sweet 16,” like a few other songs here, is basically a pop rock ballad, which actually suits Green Day’s subversive sneer (especially since there still seems to be an underlying middle finger that binds the entire album).

If ¡Uno! is any indication of what ¡Dos! and ¡Tré! will have to offer (they are meant to be one cohesive work, after all), then Green Day has plenty more pop punk where all this came from. But don’t let the simplicity fool you. The last two albums may have been presented as three structured acts, but composing three entire albums can’t be any easier (thought it sounds like it’s just as fun).

www.greenday.com