Author Archives: Jonathan Williams

“West of Memphis” reveals chilling new details in the case of the West Memphis Three

Damien Echols looks on from behind prison glass in 'West of Memphis". Photo by Jeff Dailey, Courtesy of Sony Pictures Classics.

 

 

 

To say that the case of the West Memphis Three is an example of a corrupted justice system failing us would be the understatement of, well, the past 20 years. Following the murders of three 8-year-old boys in the small Arkansas town of West Memphis in 1993, teenagers Damien Echols, Jason Baldwin and Jessie Misskelley, Jr. were convicted of the crime the following year, mostly because of their love of heavy metal, aversion to Southern societal norms and collectively rebellious demeanor. If only they’d known that listening to Metallica and wearing black clothes would have resulted in them spending almost 20 years in prison for a crime they almost certainly did not commit.

This story has been well documented previously, namely in the HBO trilogy of Paradise Lost documentaries. But the findings presented in West of Memphis make it clear that Echols, Misskelley and Baldwin were innocent of these horrendous crimes. The most unsettling evidence, however, is the more recent discoveries making it almost undeniable that Terry Hobbs, stepfather of one of the young murder victims, seems like the most likely suspect. And with no indication that he will ever be tried for these crimes, the fact that the West Memphis Three spent the better part of their young adult lives behind bars becomes more unforgivable than ever.

Lorri Davis met and married Damien Echols while he was still in prison, as seen in "West of Memphis". Photo by Olivia Fougeirol, Courtesy of Sony Pictures Classics.

Ever since the West Memphis Three were first arrested in ’93 they’ve garnered a good deal of support from the entertainment community, and West of Memphis is yet another attempt by musicians and filmmakers to let the rest of the world know why these guys should be set free (and should never have been convicted to begin with). Produced by The Lord of the Rings trilogy director Peter Jackson (as well as Echols and his wife, Lorri Davis) and directed by Deliver Us from Evil director Amy Berg, the film features appearances by the likes of Eddie Vedder, Henry Rollins, Johnny Depp and Patti Smith (with a soundtrack by Nick Cave and Warren Ellis). But West of Memphis isn’t about movie stars and rock stars with some sort of political agenda. All of these people have volunteered their time and talents over the years to help justice be served. Oddly, while this film was being made, the closest thing to justice that could have happened did happen as the three men were finally released from prison (though that didn’t come without compromise as the plea that got them out basically forced them to admit some level of guilt).

West Memphis Three supporter Henry Rollins talks to "West of Memphis" director Amy Berg. Photo by Olivia Fougeirol, Courtesy of Sony Pictures Classics

Aside from evidence that Hobbs may have likely been the actual murderer (including his confession of this “family secret” to his own nephew), West of Memphis provides more than a reasonable doubt of the West Memphis Three’s guilt. So where were the three teens during the time of the murders? According to many townspeople, they were “at wrasslin'” that night. And if satanic rituals weren’t the cause of the genital mutilation and other abuse to the bodies of the young victims, then what was? Well, it turns out that the various scrapes and cuts were clearly done after the boys were already dead since there is no evidence of bleeding. And since their bodies were in a creek, turtles most likely nibbled on their softer parts (lips, ears, genitals) after their bodies were dumped in the ditch. That’s not even touching on the flawed investigation tactics of the local police, Hobbs’ abusive past and the on-camera regrets of a few people who now admit to having lied in their testimonies against the West Memphis Three.

As grim as all these details are, West of Memphis offers hope for the three men now that they have been released. It’s a moving story that just happened to have a somewhat happy ending, though there was no way the filmmakers could have known that when they started filming. And even though the fight still isn’t (and probably never will be) completely over, at least these guys have an opportunity to experience something akin to a normal life that doesn’t involve shackles and jumpsuits.

www.westofmemphisfilm.com

Georgia Wrestling Now welcomes Fred Yehi and Jacob Ashworth

Georgia Wrestling Now has had a lot of big guests over the past few weeks, but it’s always nice to talk to some of the guys on the verge of taking things to the next level in their careers. This week Wrestling with Pop Culture and Team All You Can Eat’s Matt Hankins talk to two of those wrestlers. Our first guest is Fred Yehi, who not only the Universal Independent Wrestling Internet Champion and the Battle Action Championship Wrestling Champion, but is also part of tournaments to crown the first Monstrosity Championship Wrestling Champion and the Platinum Championship Wrestling/EMPIRE Wrestling Champion this weekend. Then we talk to Jacob Ashworth, who made an impressive return to the ring last Friday at Alternative Pro Wrestling’s 6th Anniversary Show and recently assisted WWE World Heavyweight Champion Alberto Del Rio in his feud with the Big Show on SmackDown. Listen live every Monday at 7 p.m. and call 347-324-5735 for questions or comments.

UIW Internet Champion/BACW Champion Fred Yehi is one of this week’s Georgia Wrestling Now guests.

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The Rock is a working class hero trapped in a superhero’s body in “Snitch”

John Matthews (The Rock) urges U.S. Attorney Joanne Keeghan (Susan Sarandon) to let him do whatever it takes to free his son. Photo by Steve Dietl.

For The Rock, the Road to WrestleMania 29 entails more than just fending off challengers to his WWE Championship. With Snitch, the first of four new films over the next few months for the man otherwise known as Dwayne Johnson, The Rock goes toe-to-toe with the likes of Susan Sarandon, The Walking Dead‘s Jon Bernthal and Boardwalk Empire‘s Michael Kenneth Williams. But even though he holds his own in a more dramatic role than we’re used to seeing from his WWE and action movie career, Snitch still leaves a few things to be desired.

Though it’s marketed as an action movie, Snitch is more of a drama about John Matthews (The Rock), a construction business owner determined to free his teenage son (Rafi Gavron), who is wrongfully arrested when he reluctantly receives a package containing drugs from a friend. The Rock’s performance is convincing, as he decides to put his own business and life at risk by using his company’s new semis to infiltrate the local drug underworld, offering to transport illegal substances in order to keep his struggling business afloat. But the biggest problem is that he’s a working class hero trapped in a superhero’s body, making it somewhat hard to believe his trepidation considering he could easily crush the thugs he is now encountering. I suppose anyone would be afraid of suddenly entering a world populated by a bunch of gun-toting gangsters, even if you’re carrying The Rock’s muscular guns. But it’s still a bit unconvincing to see a man as imposing as The Rock flinching at his much punier aggressors.

Malik (Michael Kenneth Williams) and John (The Rock) make arrangements in "Snitch". Photo by Steve Dietl.

After enduring some decidedly cheesy dialogue (I’d like to think it is intentionally bad, but that doesn’t really fit with the otherwise serious tone of the film) from the menacing drug dealer Malik (Williams), The Rock proves that he has what it takes to help bring down some of the biggest criminals around. So he makes a deal with U.S. Attorney Joanne Keeghan (Sarandon) to help bring in Malik in exchange for his son’s release from prison. Thus begins his Smokey and the Bandit-like adventure, only the load he’s carrying is a lot more valuable (and dangerous) than Coors.

Once he realizes he is being taken advantage of by Malik and Keeghan alike, Matthews is forced to improvise in order to save himself and to protect those he has inadvertently dragged into his plot. And the resulting chase scene, in which The Rock finally fires back at his aggressors while steering his truck at full speed, is reminiscent of a similar scene from The Road Warrior, resulting in a climactic crash that leaves The Rock upside down on the side of a highway.

John (The Rock) gets banged up in his heroic adventure. Photo by Steve Dietl.

The Rock clearly has plenty of charisma, which definitely helps carry Snitch to something more than just another fast-paced action film. Considering that the point of the film is to illustrate the harsh (and sometimes unfair) laws against first-time drug offenders in comparison to crimes such as rape and murder, Snitch doesn’t really need to be an over-the-top adventure. Aside from being way too physically intimidating to adequately portray the everyman he is meant to be, The Rock clearly knows his role here. And rather than shut his mouth (to continue borrowing from one of The Rock’s own catchphrases), he puts the muscle flexing aside and lets his charisma shine in new ways.

www.snitch-movie.com