Category Archives: Reviews

“Guardians of the Galaxy” soars to summer sci-fi success

WWE's Batista as Drax the Destroyer. Photo courtesy of Film Frame.

WWE’s Batista as Drax the Destroyer. Photo courtesy of Film Frame.

For the second week in a row a blockbuster action flick starring a professional wrestler hits theaters. Last week it was The Rock in Hercules (read my review here). This week it’s the latest Marvel big screen adaptation Guardians of the Galaxy co-starring Batista as Drax the Destroyer. And since we like to talk wrestling so much around here, let’s go ahead and get something out of the way. Despite the negative reception he received from fans during his recent return to WWE, Batista is one of many reasons that Guardians is likely to become this summer’s biggest hit.

Unlike most Marvel movies, Guardians is not an immediately recognizable name to many. Sure, the die-hard comic fans and Marvel devotees are probably going into this movie with a vast knowledge of who the green-skinned heroine Gamora (Zoe Saldana), the overgrown talking raccoon Rocket (Bradley Cooper) and the cybernetically sexy supervillain Nebula (Karen Gillan) are. For the rest of us, a slimmed-down Chris Pratt is the unlikely hero Peter Quill (aka Star-Lord), Michael Rooker is the blue-skinned baddie Yondu and Vin Diesel is Groot, a towering anthropomorphic tree similar to The Lord of the Rings‘ Ents. (Actually, one of the oft-used moments of comic relief in Guardians is Diesel uttering the phrase, “I am Groot,” the only three words in his vocabulary.)

Photo courtesy of Film Frame.

Photo courtesy of Film Frame.

Lack of familiarity does little to hinder Guardians, however. In fact, I think it actually benefits the film as it offers the same kind of excitement that movies like Star Wars and The Fifth Element did the first time around. This mystery (as well as the action and comedy) are what keep the audience guessing with Guardians. Why is Quill snatched up by a spaceship at the most tragic moment of his childhood? Why does he constantly listen to hits from the ’70s on his cherished cassette player while fighting aliens? How does he end up teaming with a ragtag group of prisoners, all of which coincidentally have their own issues with Thanos (Josh Brolin) and Ronan (Lee Pace)? How is Rocket able to understand what Groot says even though everyone else just hears, “I am Groot”? Figuring it all out is a huge part of the appeal here.

Karen Gillan as Nebula. Photo by Jay Maidment.

Karen Gillan as Nebula. Photo by Jay Maidment.

Great characters are often the driving force behind a good story, especially ones set in fantastical lands in faraway galaxies. While it obviously has awesome effects, impressive space battles and all sorts of cool creature costumes, Guardians is filled with amazing character development. Pratt’s comedic timing and sarcasm quickly establish Quill as a lovably womanizing space bandit with natural charisma despite his adolescent demeanor. Saldana’s cold delivery shows us that Gamora is a no-nonsense warrior whose only concern is preventing Thanos and Ronan from carrying out their evil plans. Batista obviously has the physical attributes of the musclebound Drax, but he’s also able to bring out the unintentional comedy of Drax’s literalism (he’s unable to pick up on jokes and metaphors, making for some hilarious confusion), as well as his emotional pain, the driving force in him seeking revenge against Thanos. And that’s not even mentioning the depth of secondary characters portrayed by John C. Reilly, Glenn Close and Benicio del Toro.

In short, despite not being as popular as the X-Men or The AvengersGuardians will easily become another part of the Marvel film franchise. The casting is impeccable, the character development is great and the action is amazing. It’s great to see somewhat obscure comic book characters getting the same treatment as the bigger superheroes, and the fact that Guardians ties in to the rest of the Marvel Cinematic Universe means we will likely see even more of these characters on the big screen.

www.marvel.com/guardians

The Rock is a convincing demigod, physically and otherwise, in “Hercules”

Hercules (Dwayne "The Rock" Johnson) conquering one of many foes. Photo by Kerry Brown.

Hercules (Dwayne “The Rock” Johnson) conquering one of many foes. Photo by Kerry Brown.

Wrestling fans and filmgoers alike know that The Rock doesn’t have the best track record when it comes to choosing movie roles. Given his muscle-bound physique and grappling background, the man otherwise known as Dwayne Johnson is obviously suited for certain types of characters. And in recent years, he has gradually started to find roles in the Fast & Furious and G.I. Joe franchises that not only utilize his physical appearance, but also allow him to capitalize on his verbal skills. But if you thought government agents and action figures were the roles The Rock was born to play, just wait until you see him adorned in loincloth and armor as the titular character in Hercules.

The story of Hercules is the stuff of legend, having been recounted numerous times since the son of Zeus was born to a mortal mother so long ago. But the twist with Hercules is that it’s never clear how much of his legend is true and how much of it is myth. After slaying the nine-headed Hydra, besting the Erymanthian Boar, laying waste to the Nemean Lion with his bare hands and completing other laborious tasks, Hercules is now a sought-after warrior willing to carry out other adventures for the right price.

Hercules (Dwayne Johnson) leads his allies into battle. Photo by Kerry Brown.

Hercules (Dwayne Johnson) leads his allies into battle. Photo by Kerry Brown.

Despite what legends say, however, he is not alone in his battles. Aiding in the cause are Autolycus (Rufus Sewell), the Amazon Atalanta (Ingrid Bolsø Berdal, who appears to have some of Nicole Kidman‘s DNA), the mute and animalistic Tydeus (Aksel Hennie) and the prophet warrior Amphiaraus (Ian McShane), with Hercules’ nephew Iolaus (Reece Ritchie) being the carnival barker responsible for perpetuating his uncle’s legends. In much the same way that The Rock’s professional wrestling background blurs the lines between fact and fiction, it’s hard to tell which aspects of Hercules’ adventures actually happened and which ones are exaggerations and hoaxes. But when the King of Thrace (John Hurt) offers you twice your weight in gold (which is a lot of gold if you’re built like The Rock) to train his people to become an unstoppable army to vanquish the marauding centaurs, you best just let people keep believing the myths and do as your told.

Haunted by the mysterious murder of his wife and kids a few years earlier, Hercules is not a warrior without conscience. In fact, even he has a hard time differentiating between reality and fantasy as he tries to sort out who actually killed his family, and if he is actually the son of the most powerful of all Greek and Roman gods. When he begins to realize he’s not the only one altering people’s perceptions, he has a hard time looking the other way. So after he trains Thracian farmers to become unstoppable soldiers and leads them to victory, he’s tipped off to the fact that he may have inadvertently helped further a secretly tyrannical cause.

The Rock flexes mental and physical muscles in this climactic scene from "Hercules". Photo by David James.

The Rock flexes mental and physical muscles in this climactic scene from “Hercules”. Photo by David James.

You can’t really have a Hercules story without a scene in which the demigod is bound by chains, arms outstretched to each side, allowing him to eventually display his strength by muscling his way out of bondage to get vengeance upon his captors. And you get that climactic scene here. But in Hercules it’s about more than just physical strength overcoming evil. It’s also the metaphorically pivotal moment when Hercules finally sees through the illusions to find the inner strength to overcome his own self doubt. These personal triumphs lead to moral victories for him and his companions as they set out for yet another seemingly impossible battle against overwhelming odds. While The Rock clearly has the physical attributes to make Hercules a convincing warrior, he’s also strengthened his acting chops enough to properly convey the complexities of this character with a little more depth than we’ve previously seen from him. Sure, Hercules is, at times, somewhat predictable and formulaic. But if people are willing to just go along for the ride (which they likely will be), Hercules could be the beginning of a Pirates of the Caribbean-like franchise.

www.mightyhercules.com

Sex Tape arouses some laughs, but ultimately remains a little limp

Jay (Jason Segel) and Annie (Cameron Diaz) try to rekindle past excitement by recording themselves in the act in "Sex Tape". Photo by Claire Folger.

Jay (Jason Segel) and Annie (Cameron Diaz) try to rekindle past excitement by recording themselves in the act in “Sex Tape”. Photo by Claire Folger.

Recording one’s sexual escapades is always a risky endeavor, which is probably a large part of the appeal when trying to spice up a couple’s once-exciting sex life. And in an age where content can easily be shared between one’s laptop, phone, tablet or other electronic devices, it’s easier than ever to accidentally leak said recordings to friends, family or the entire world. That’s exactly what happens in Sex Tape when after Jay (Jason Segel) and Annie (Cameron Diaz) decide to use Jay’s new company-issued iPad to record them exploring every position in the 1970s book The Joy of Sex.

It’s a funny enough premise complemented by the fact that you get to see Diaz naked a few times over the course of the movie. And considering that Rob Corddry and Ellie Kemper co-star as the friends willing to help prevent Jay and Annie’s cyber romp from going viral, you’d think Sex Tape would be a comedy hit. And it is, at times. Rob Lowe is particularly funny as the CEO of the company interested in buying Annie’s mom blog (especially as his unlikely penchants for thrash metal, gangster rap, Disney movies, cocaine and other indulgences gradually come to light). Corddry and Kemper also have their moments, particularly after they secretly use the sex tape to take their otherwise uneventful wedding anniversary to new levels. And Segel (in better shape than ever, presumably because he knew he’d be spending a good portion of this movie in the buff) and Diaz (did I mention she also spends a significant portion of this movie naked?) do a fine job comedically exuding their desperation in getting their hands on every last copy of their epic lovemaking.

Hank (Rob Lowe) shares one of the funnier scenes in "Sex Tapes" with Cameron Diaz. Photo by Claire Folger.

Hank (Rob Lowe) shares one of the funnier scenes in “Sex Tapes” with Cameron Diaz. Photo by Claire Folger.

Despite having all the right ingredients for a debauched comedy hit, there’s something intangible missing from Sex Tape comparable to the spark that has disappeared from Jay and Annie’s sex life. Perhaps it’s how ridiculously far they go to stop anyone else form seeing their sex tape (randomly dropping by the homes of people they hardly know in the middle of the night, breaking into YouPorn’s headquarters even later in the night when they could have just called or emailed) that prevents Sex Tape from reaching its proper climax. You do, however, get to see Cameron Diaz naked a few times. Plus Jack Black makes a cameo that’s good for a few laugh-out-loud moments.

www.theyforgottodeleteit.com

Chaos erupts, but humanity prevails in “The Purge: Anarchy”

 

 

 

At some point, we’ve all said something to the effect of, “If I could get away with anything for one night…” Though we don’t always like to admit it, the idea of exorcising pent-up aggressions, getting revenge on those who have wronged us or simply submitting to the darker side of human nature holds a certain appeal. In the near-future world established in 2013’s The Purge, the New Founding Fathers of America have created an annual holiday where everything is legal for a 12-hour overnight period. Within this dystopia, some Americans yearn to indulge in the freedom – no, the right – to kill, rape and loot without repercussions. The rest of the populace prepares for lockdown in hopes that they will make it through the night without incident.

Frank Grillo's character leads a group of non-Purgers in "The Purge: Anarchy". Photo by Justin Lubin / Universal Pictures.

Frank Grillo’s character leads a group of non-Purgers in “The Purge: Anarchy”. Photo by Justin Lubin / Universal Pictures.

While the first movie gave us a glimpse into the lives of those wealthy and privileged enough to afford proper protection from Purgers, The Purge: Anarchy takes us out into the streets to see how middle and lower-income citizens get through The Purge. Eva (Carmen Ejogo) just wants to get home from her job waitressing at a diner in time to ensure safety for her daughter Cali (Zoë Soul) and elderly father (John Beasley). Shane (Zach Gilford) and Liz (Kiele Sanchez) are a young couple whose relationship is struggling as they try to make it to their destination before The Purge begins. And Frank Grillo is a heavily-armed brooder on a very singular mission during this particular Purge. Dark and mysterious, Grillo’s character is a gritty antihero in all black, drives around in an armored muscle car full of guns and clearly has some sort of background in combat. He’s basically the Punisher, which is exactly the type of vigilante you want on your side, especially on a night like this one.

After encountering a gang of hoodlums in corpse paint on dirt bikes and skateboards, an army of gas-masked soldiers with a plethora of advanced weaponry and various other odd factions of Purgers, Grillo’s character (whose identity is not fully revealed until the end of the movie) begrudgingly becomes the leader and protector of Eva, Cali, Shane and Liz, who have all unwillingly become part of The Purge despite their best efforts not to. As this unlikely quintet traverses the night, they gradually discover that The Purge is about much more than senseless violence. Instead, they find that there are various groups and individuals, all with their own agendas. From the semi trucks that seem to be tracking their every move to would-be allies secretly looking to enact personal revenge on one another, chaos and anarchy are waiting at every turn.

A thug in corpse paint is one of many threats during this Purge. Photo courtesy Universal Pictures.

A thug in corpse paint is one of many threats during this Purge. Photo courtesy Universal Pictures.

The concept of The Purge is, in and of itself, an interesting idea that doesn’t really seem that far fetched, the most fascinating thing about The Purge: Anarchy is that it establishes a multitude of potential stories set within the same realm. There is no crossover between the events of The Purge and The Purge: Anarchy, aside from the fact that they both take place in the same grim future. So, unlike most film franchises, The Purge is centered around an idea rather than a particular character, setting or other entity. Which is to say there is seemingly limitless potential to where this idea can go, applying it to different characters and scenarios with each subsequent installment.

But back to this chapter. Not only does each of the main characters have his or her own personal struggles (Shane’s worried Liz is going to break up with him, Eva worries that her boisterous daughter might push Grillo’s avenging character over the edge, etc.), but the Purgers they encounter all have their own (sometimes conflicting) agendas. In order for any of the heroes to survive, there is no choice but to work together and trust each other even if it goes against their personal Purge convictions. While The Purge tends to reveal humanity’s worst traits, in this case it shows something a bit more hopeful when a group of people is faced with enormous adversity.

The key word here is "Anarchy". Photo by Justin Lubin / Universal Pictures.

The key word here is “Anarchy”. Photo by Justin Lubin / Universal Pictures.

These various conflicts culminate in a divisive climax in which the main characters are captured by one faction while fleeing another, then sold to a group of wealthy buyers who insert them into a The Running Man-like scenario in which armed rich people hunt them for sport. The tactical skills of Grillo’s character are the only hope for surviving, but each character displays a newfound strength that aids in the cause, even if it means eventually striking out on his or her own path. In the end it’s redemption, rather than revenge, that becomes the prevailing goal. But this is The Purge, after all, so there are still unexpected factors at play that soon make themselves more apparent, (some for better, some for worse). And as the clock ticks towards this Purge’s final moments, the suspense and anticipation extend all the way up to the sounding of the siren indicating that this year’s Purge has come to a close. But if The Purge: Anarchy is any indication of things to come, The Purge appears to be locked down as a summer film franchise for the foreseeable future.

blumhouse.com/film/thepurgeanarchy

A new evolution begins in “Dawn of the Planet of the Apes”

Caesar (Andi Serkis) is the leader of a tribe of apes in "Dawn of the Planet of the Apes".

Caesar (Andy Serkis) is the leader of a tribe of apes in “Dawn of the Planet of the Apes”.

Evolution is a controversial topic, especially when those at the top of the food chain suddenly find themselves contending with an emerging alpha species that has previously been a peek into humanity’s past. And while we’ve seen plenty of films and TV shows in recent years about our near-future decline, they usually involve humans fighting for dominance against the undead, not monkeys and gorillas rapidly becoming the dominant species. In Dawn of the Planet of the Apes, however, we see the remnants of humanity struggling to find some sort of balance to coexist with a nearby community of apes in a scenario that might otherwise look a lot like The Walking Dead or World War Z.

It is for this and many other reasons that Dawn is one of the most refreshing big-screen blockbusters to come along in quite some time. It’s a popular premise with a new twist and contemporary sociopolitical commentary, yet it’s all based on stories and films that began in the ’60s. So, in much the same way that evolution (or devolution) has come full circle within the film, things have oddly returned to their primal origins for the viewer as well. The stiff rubber monkey masks from the original Planet of the Apes films are obviously long gone. Instead, Dawn employs what I would guess is a combination of guys in gorilla suits, puppets and CGI. But all of it – from the detail seen in closeups of eyes and faces to massive battles between armies of humans and apes – is so incredibly realistic and seamless that it’s hard to tell where the makeup and costumes end and the computer-generated stuff begins.

Carver (Kirk Acevedo), Ellie (Keri Russell), Malcolm (Jason Clarke), Alexander (Kodi Smit-McPhee) and Kempt (Enrique Murciano) happen upon a village of talking monkeys in "Dawn of the Planet of the Apes". Photo by David James.

Carver (Kirk Acevedo), Ellie (Keri Russell), Malcolm (Jason Clarke), Alexander (Kodi Smit-McPhee) and Kempt (Enrique Murciano) happen upon a village of talking monkeys in “Dawn of the Planet of the Apes”. Photo by David James.

But technological advances aren’t the only things to be impressed with in Dawn. As Malcolm, the leader of a group of humans that inadvertently discovers the apes’ village while trying to get a mountainside dam back in operating order before the surviving San Francisco humans run out of fuel and energy, Jason Clarke ably ascends from his standout supporting roles in films like Lawless and Zero Dark Thirty to leading-man status. His chimpanzee foil is the aptly-named Caesar, played by the unofficial king (Kong) of computer-animated characters Andy Serkis. While other members of each group are distrusting of the other, Malcolm and Caesar are able to see the best in each other, finding an unstable balance that seems to benefit both sides. But each leader is flanked by a dissenting sidekick: Carver (Kirk Acevedo) is an unforgiving man who has seen too many deaths at the hands of apes and Koba (Toby Kebbell) is a former lab monkey whose testing scars and torturous memories continue to fuel his hatred of humans. Both characters are somewhat sympathetic given their history with the opposing species, which adds depth to the overall issues at play.

It only takes one bad banana to spoil the bunch, though (awful pun, I know). So, despite the best efforts of Malcolm and Caesar, the ulterior motives of those close to them lead to an inevitable confrontation between the two species. It all makes for a constant struggle as each time it seems Malcolm and Caesar are making advances in how the two groups interact, some senseless act of conspiracy-fueled violence causes these relations to devolve once again. Throw in some mob mentality and the fear tactics of Kabo and Dreyfus (Gary Oldman, the unofficial leader of the human camp), and you have a recipe for post-apocalyptic disaster.

These apes are all up in arms, literally! Photo by WETA TM.

These apes are all up in arms, literally! Photo by WETA TM.

But it’s epic battles between apes and humans that viewers really want to see anyway, and Dawn certainly gets around to a final confrontation that satisfies on a carnal level even if the events leading up to it are agonizing on a humanitarian level. While the prevailing battle is between the now-warring factions of humans and primates, a sliver of hope remains as those looking for harmony recognize the absurd inevitability of this escalation. And it’s within this fragile friendship that Dawn really excels at juxtaposing the many facets of human nature, from aggressive dominance to peacekeeping pacifism.

www.dawnofapes.com

www.dawnoftheplanetoftheapes-movie.com

Despite a sensitive subject like abortion, “Obvious Child” is a touching comedy love story

Romantic comedies tend to hold a certain stigma for many moviegoers. But when you round up a cast of somewhat obscure stars and a veteran supporting cast with plenty of comic and theatrical credibility, then throw in a sensitive subject like abortion, you get a film that transcends genre tropes in favor of a strong story with realistic characters and conflicts. Such is the case with Obvious Child, a comedy that happens to revolve around romance (though definitely not with a fairy tale happily-ever-after ending).

Donna (Jenny Slate) and Max (Jake Lacy) amidst a fun night that ends up with some interesting results in "Obvious Child". Photo by Chris Teague.

Donna (Jenny Slate) and Max (Jake Lacy) amidst a fun night that ends up with some interesting results in “Obvious Child”. Photo by Chris Teague.

The stars of Obvious Child may not be immediately recognizable, despite having had a fair amount of exposure on the small screen. Jenny Slate plays Donna, a down-on-her-luck comedienne who, like many comics, uses the stage as a place to publicly purge her frustrations in an entertaining way. (Though there was something familiar about Slate as soon as the movie started, my girlfriend quickly pointed out that Slate also plays Mona-Lisa, Jean-Ralphio’s obnoxious sister from Parks and Recreation.) She gets dumped by her frumpy boyfriend who has (somehow) been having an affair with an even prettier girl, then loses her job at the cleverly named Unoppressive Non-Imperialist Bargain Books (which is apparently a real place, if you click on the hyperlink) due to its closure. Though these events should provide Donna with plenty of new material for her comedy sets, she’s in for even more surprises after she has an onstage meltdown during at a Brooklyn comedy club.

Nellie (Gaby Hoffmann) tries to console Donna (Jenny Slate) in "Obvious Child".

Nellie (Gaby Hoffmann) tries to console Donna (Jenny Slate) in “Obvious Child”.

That’s when she meets Max (Jake Lacy from the final season of The Office, whose wholesome good looks are a cross between Clark Kent and Nicholas Hoult). They proceed to develop an intoxicated connection that leads to a night of singing, dancing and drunkenly slurred outbursts such as, “Did you know Hulk Hogan‘s real name is Terry?,” while Max is removing her panties. A one-night stand with a handsome guy with few commonalities is probably just what Donna needs, until she and her friend Nellie (Gaby Hoffmann) discover a few weeks later that Donna is now pregnant. Given her financial struggles and the fact that she will likely never see Max again, she decides to get an abortion. Coincidentally, her appointment is on Valentine’s Day.

Then she meets Max again when he unexpectedly stops by the bookstore and asks her out to lunch. Then she meets him again when he turns up at her mom’s (his professor’s) home to return a book. No matter how hard she tries not to run into Max, it seems that Donna is fated to share her secret with him. Finally, she works up the nerve to have lunch with him and tell him. Then she chickens out when he says something about how much he looks forward to being a grandfather. While the solution to Donna’s conflict seems really obvious (pun intended), she just can’t bring herself to tell Max that she’s pregnant. He’s a successful college student with a bright future and she’s free spirit whose comedy career seems to be leading to her impending homelessness. Why would she want to burden him with this news, let alone risk the possibility of any sort of commitment to someone who can clearly do better?

Even abortion can't stop this romance. Photo by Chris Teague.

Even abortion can’t stop this romance. Photo by Chris Teague.

After ditching Max to hang out with fellow comedian Sam (played with salacious sleaziness by David Cross), Donna soon realizes what she’s missing out on with Max. Comedy being her only comfort zone, she breaks the news to Max by inviting him to one of her shows, where she once again uses her real-life predicament as a way to get an uncomfortable laugh. It’s a risky move, but abortion jokes are often funny despite their questionable taste. Surprisingly, it’s a risk that works as she and Max are able to make their absurdly strange Valentine’s plans together. Even though “happily ever after” just doesn’t seem to be appropriate when such a significant sacrifice is being made, first-time director Gillian Robespierre offers a hopeful ending to a situation that initially seems desperately doomed by bad decisions and uncertainty.

www.obviouschildmovie.com

www.obviousovershare.com

 

“Muppets Most Wanted” is a good (not great) Muppet caper

Muppets Most WantedWhen the Muppets returned to the big screen in 2011, the felt-covered familiarity of Kermit, Miss Piggy, Fozzie Bear and the rest of the gang was fully realized by director James Bobin. With Muppets Most Wanted, Bobin returns to the director’s chair for a sequel that picks up where The Muppets left off, taking the show on the road for a world tour, but leaving a bit of that Muppets magic behind.

Under the guidance of new manager Dominic Badguy (Ricky Gervais), the Muppets take The Muppet Show to some of Europe’s biggest cities. Once they arrive, however, they find that Badguy (pronounced Badgee) has booked them in the worst hole-in-the-wall dives he could find. Not only that, but Kermit suddenly has an Eastern European accent and takes on a much more menacing persona soon after the Muppets arrive in Europe. As his name so blatantly implies, Badguy is not to be trusted as he is in cahoots with Constantine, the world’s number one criminal who, aside from a Robert De Niro-like facial mole, is Kermit’s Russian doppelgänger. Having kidnapped and framed Kermit by slapping a fake mole on his face (and covering his own mole with green makeup), Constantine assumes control of the Muppets while Kermit makes some new friends inside the Siberian prison he now calls home.

Kermit becomes fast friends with WWE's Hornswoggle, Nadya (Tina Fey) and others in "Muppets Most Wanted".

Kermit becomes fast friends with WWE’s Hornswoggle, Nadya (Tina Fey) and others in “Muppets Most Wanted”.

Kermit quickly endears himself to the likes of Ray Liotta, Danny Trejo and WWE‘s Hornswoggle, as well as Nadya (Tina Fey), the officer overseeing this Gulag who already has a Piggy-like fascination with Kermit. Constantine, however, has a harder time fitting in with the rest of the Muppets, whose morale is steadily decreasing under Badguy and Constantine’s leadership. Thankfully, CIA agent Sam the Eagle and Interpol‘s Jean Pierre Napoleon (Ty Burrell) are on the case. Unfortunately, their nationalistic rivalry hinders their investigation, but does provide some comical moments.

Though it takes them a while, Walter, Fozzie and Animal figure out what’s going on and “quit the Muppets” to go spring Kermit from Siberia. But with Piggy planning to marry Constantine (thinking he’s Kermit, of course), time is running out for the Muppets. Though they haven’t seen a caper of this magnitude since 1981’s The Great Muppet Caper, the Muppets just don’t provide as many laugh-out-loud moments in Muppets Most Wanted as they have in other Muppet movies. With numerous catchy musical moments, plenty of the witticisms Muppet fans have come to expect and obligatory cameos by the likes of Lady Gaga, Celine Dion, Salma Hayek and Usher, all the ingredients are there for another great Muppet caper. But there just seems to be something missing with Muppets Most Wanted that leaves it only being a good, or maybe even really good, Muppet caper.

muppets.disney.com/muppets-most-wanted